Tiffen Cordura Six Filter Pouch
Available on backorder
- Holds Six Filters up to 82mm
- Cordura Nylon and Mesh
Tiffen Filter Pouch
The Tiffen Cordura Six Filter Pouch (Black) is a padded Cordura pouch made to hold 6 round or square filters up to 82mm. There are 6 mesh pockets to hold the filters.
- Folding Cordura filter pouch with 6 pockets to hold the filters
- Compatible with round or square filters up to 82mm
EGP176.63 EGP199.00
Available on backorder
Report Abuse| Weight | 0.1 kg |
|---|---|
| Dimensions | 20.7 × 11.5 × 3 cm |
Tiffen CORD6 Specs
| Filter Capacity | 6 x 82mm |
| Type of Closure | Hook-and-Loop |
| Exterior Material | Cordura |
Packaging Info
| Package Weight | 0.11 lb |
| Box Dimensions (LxWxH) | 8.15 x 4.35 x 1.15″ |
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Vendor Information
- Store Name: PROFMEDIA
- Vendor: PROFMEDIA
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Address:
317G EL-Haram Street
Giza
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Recording Monitors
Atomos Shinobi SDI 5″ 3G-SDI & 4K HDMI Pro Monitor
- 1920 x 1080 Touchscreen Display
- 3G-SDI & 4K HDMI Inputs
- Daylight-Viewable Monitor
- 1000 cd/m² Brightness
Atomos Shinobi
Double your video input options with the Shinobi SDI 5″ 3G-SDI & 4K HDMI Pro Monitor from Atomos. The flexible Shinobi SDI is on-camera monitor with both 3G-SDI and HDMI inputs, supporting up to DCI 2K via SDI or up to DCI 4K via its HDMI input. It features a 10-bit (8+2 FRC) IPS screen with a brightness of 1000 cd/m², suiting it for use in both exterior and interior conditions.
The Shinobi SDI’s AtomHDR display technology enables you to accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The monitor supports popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. Preview SDR or HDR LUTs in real time and choose from up to eight custom LUTs loaded in via the SD card slot.
Built to withstand the rigors of production, the Shinobi SDI features a lightweight plastic chassis and can be powered from either a single L-series battery or via the included AC adapter. Additional features include the AtomOS 10 platform with a variety of onscreen exposure analysis, framing, and focus assist tools, as well as anamorphic de-squeeze.
SKU: ATOMSHBS01 -
Power Adapter Cables
LanParte VBP-02 V-Mount Battery Pinch
- Smart charging function
- V-mount lock
- 15mm Rod connectors
- Can be mounted onto the back of the rig as counterweight
LanParte V-mount Battery Plate
The VBP-02 V-Mount Battery Pinch from LanParte is a multifunction power adapter. You can mount a V-mount battery as your power source, or connect the unit to AC power via the included power adapter. The VBP-02 features multiple DC outputs (5, 7.4, 12, 15V, and a D-Tap), enabling you to power multiple devices simultaneously. The Battery Pinch also features two 15mm rod connectors, allowing you to mount it onto an existing rig. The DC barrel charger input allows you to charge the mounted battery. The VPB-02 works best in conjunction with the Shoulder Pad; these two items attached to your rig serve as a counterbalance weight.
In the Box
- LanParte VBP-02 V-Mount Battery Pinch
- LanParte Red-Tip Camera DC Power Spring Cable for Battery Pinch (3.5/1.35mm)
- 3 x LanParte Yellow-Tip Camera DC Power Spring Cable for Battery Pinch (5.5/2.1mm)
- LanParte DC Power Cable for Canon C300
- AC Adapter (19 VDC, 3.42 A)
- Limited 1-Year Warranty
SKU: VBP-02 -
Lens Filters
Tiffen #3 Color Viewing Filter
The #1 is for black-and-white imaging
The #2 viewer is for film speeds to 100
The #3 is for faster film; they can be used for video, as well, with the #3 being better suited for lower light levels
The green #4 viewer is for process photography
The blue #5 is for blue screen work, as well as for setting up color video monitorsTiffen #3 Color Viewing Filter
The Tiffen #3 Viewing filter is for faster film and video. Balancing lighting by eye is a matter of experience. Decisions can be aided through the use of contrast viewing filters. These are designed to handicap the eye, with its much greater range of apparent densities, to resemble the range of the various types of film.
Use contrast viewers to judge relative highlight and shadow densities
There are viewers for black-and-white film, as well as various viewer densities for color film
A darker viewer is used for slower film speeds, where you would tend to use brighter lighting; faster film, which can be used in dimmer settings would require a lighter viewerSKU: 3CVF
Product Enquiry
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The Tiffen 4 x 4″ Black Pro-Mist 1/4 Filter helps to reduce the value of the highlights while slightly lowering the overall contrast. This filter is especially useful for smoothing out and softening facial wrinkles and other blemishes. While designed for use with movies, this filter can also be used for fashion and beauty applications. Unlike a traditional diffusion or soft focus filter, Pro-Mist filters provide little loss of detail across the image. The 1/4 density provides a very small amount of contrast and highlight reduction and allows for a soft, pastel-like quality of light.
Tiffen filters are made using ColorCore technology, a process that involves laminating the filter substrate between 2 pieces of optical glass and grinding flat to a tolerance of 1/10,000th of an inch. This filter measures 4 x 4″ / 101.6 x 101.6mm.
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Tiffen 77mm Linear Polarizer Filter
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Tiffen 77mm Linear Polarizer Filter
The Tiffen 77mm Linear Polarizer Filter helps to reduce reflections and glare by filtering out light that has become polarized due to reflection from a non-metallic surface. The light from the sun naturally becomes partially polarized due to reflecting off electrons in air molecules, causing the light to scatter into what appears as haze. A polarizing filter arranges, and filters, this directionally polarized light perpendicularly to the reflected light, allowing for the absorption of much of this light. This results in a noticeable reduction of glare and reflections from non-metallic surfaces and an increase in the saturation of skies and foliage.
A linear polarizer only differs from a circular polarizer in that it does not contain a quarter wave plane that enables use of auto focus and exposure features. Linear polarizers are best suited for use with manual cameras, such as view cameras, that are not dependent on internal mechanisms to determine focus or metering settings.
Tiffen filters are made using ColorCore technology, a process that involves laminating the filter substrate between 2 pieces of optical glass, grinding flat to a tolerance of 10,000th of an inch, and then mounting to precision metal rings.
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Tiffen 4 x 4″ Soft/FX 1/2 Filter
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Tiffen 4 x 4″ Soft/FX 1/2 Filter
The Tiffen 4 x 4″ Soft/FX 1/2 Filter can be applied to purposely reduce the appearance of blemishes and wrinkles in portraits or to apply a general soft-focus effect while maintaining overall sharpness. An array of small lenses distributed within the surface of this filter smooths fine lines and textures, which can be useful for creating a more flattering result of a subject.
This filter has a grade of 1/2. Grades of 1/8, 1/4, 1, 2, 3, 4, and 5 are also available where this filter type’s effect becomes approximately twice as strong with each grade number increase. When higher grade numbers are applied, a halation effect around highlights can be created to further enhance a subject’s appearance or produce a desired effect.
This filter is constructed from optical glass for clarity as well as color fidelity and is compatible with filter holders that can accommodate 4mm-thick, 4 x 4″ rectangular filters. It is made using ColorCore technology, a process that involves laminating the filter substrate between two pieces of optical glass and grinding flat to a tolerance of 1/10,000th of an inch.
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Tiffen 6.6 x 6.6″ Soft/FX 1/2 Filter
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The Tiffen 6.6 x 6.6″ Soft/FX 1/2 Filter can be applied to purposely reduce the appearance of blemishes and wrinkles in portraits or to apply a general soft-focus effect while maintaining overall sharpness. An array of small lenses distributed within the surface of this filter smooths fine lines and textures, which can be useful for creating a more flattering result of a subject.
This filter has a grade of 1/2. Grades of 1/8, 1/4, 1, 2, 3, 4, and 5 are also available where this filter type’s effect becomes approximately twice as strong with each grade number increase. When higher grade numbers are applied, a halation effect around highlights can be created to further enhance a subject’s appearance or produce a desired effect.
This filter is constructed from optical glass for clarity as well as color fidelity and is compatible with filter holders that can accommodate 4mm-thick, 6.6 x 6.6″ rectangular filters. It is made using ColorCore technology, a process that involves laminating the filter substrate between two pieces of optical glass and grinding flat to a tolerance of 1/10,000th of an inch.
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Tiffen 77mm Variable Neutral Density (ND) Filter
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Tiffen 77mm Variable ND Filter
The 77mm Variable Neutral Density Filter from Tiffen offers a unique way of maintaining total control over your depth of field as well as presenting an efficient way to create some special effects. The filter is designed with a built-in rotating ring that controls neutral density ranging from 2 – 8 stops (0.6- 2.4). The heavier the density, the slower your shutter speed will be. This longer exposure allows the shutter to remain open long enough to record the same amount of light but will also create movement within the shot. Another major benefit of this filter is the elimination of having to buy and carry around individual neutral density filters. With this one filter, you can rotate to the degree of ND you want – a real time and money saver.
Simply mount the filter on your lens, set it to “Min” density then frame and focus. Care must be taken with focusing at heavier densities to make sure focus is accurate. However, if it isn’t, switch to manual focus and rotate to the desired degree of filtration.
For example, if your standard exposure without the filter is 1/500 @ f/8 and you then set the filter to “Min”, you change the shutter speed to 1/125 at the same aperture – thereby losing 2 stops of speed while gaining a hint of “blur” in the image. If that’s not enough filtration, continue rotating the filter until you reach the shutter speed you desire. Using the above example, you can even get down to 1/2 second @ f/8 (8 stops). It should be noted that the calibration marks on the filter ring are to be used only for reference and should not be regarded as accurate settings for specific densities.
A Neutral Density filter is used to create some unusual special effects such as capturing the “blur” of the rippling water of a waterfall or the swirling effect of city traffic. Since it allows the use of slower shutter speeds in bright light, it becomes possible to create these special effects that would normally not be possible to capture without the filter. And, since it can also help to control your depth of field, it permits you to shoot at wider apertures. Ultimately, its value is in helping to prevent bright, overly washed out images shot in bright light.
The ColorCore process allows Tiffen to control the color and density of their filters, and the characteristics of special effects filters with much greater accuracy than typical dyed-in-the-mass filters, which usually exhibit color and density variations. In this way, Tiffen can better control the various densities of their filters and thereby create more exact degrees of filtration.
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