Available on backorder
The Tiffen 6.6 x 6.6″ Soft/FX 1 Filter can be applied to purposely reduce the appearance of blemishes and wrinkles in portraits or to apply a general soft-focus effect while maintaining overall sharpness. An array of small lenses distributed within the surface of this filter smooths fine lines and textures, which can be useful for creating a more flattering result of a subject.
This filter has a grade of 1. Grades of 1/8, 1/4, 1/2, 2, 3, 4, and 5 are also available where this filter type’s effect becomes approximately twice as strong with each grade number increase. When higher grade numbers are applied, a halation effect around highlights can be created to further enhance a subject’s appearance or produce a desired effect.
This filter is constructed from optical glass for clarity as well as color fidelity and is compatible with filter holders that can accommodate 4mm-thick, 6.6 x 6.6″ rectangular filters. It is made using ColorCore technology, a process that involves laminating the filter substrate between two pieces of optical glass and grinding flat to a tolerance of 1/10,000th of an inch.
EGP10,493.27 EGP10,999.00
Available on backorder
Report Abuse| Weight | 0.41 kg |
|---|---|
| Dimensions | 21.1 × 20.32 × 2.54 cm |
| Type | Soft focus and diffusion |
| Size | 6.6 x 6.6″ (167.6 x 167.6 mm) |
| Thickness | 0.2″ (4.0 mm) |
| Grade | 1 |
| Effect | Reduces the appearance of blemishes and wrinkles; smooths fine lines and textures; maintains overall sharpness |
| Construction | Optical glass with ColorCore technology |
| Package Weight | 0.9 lb |
| Box Dimensions (LxWxH) | 8.3 x 8 x 1″ |
Offering both strength and speed, the 80GB CFexpress Type A TOUGH Memory Card from Sony provides fast read speeds up to 800 MB/s along with write speeds up to 700 MB/s. This quick performance benefits recording a variety of video resolutions, bit-rates, and compressions, as well as high-resolution continuous raw photo shooting. Beyond its speed, this TOUGH memory card also has a reinforced physical design to withstand falls from up to 15′ and has been rigidity tested to 70 N of force. It’s also resistant to extreme temperatures, X-rays, electrostatic, and UV lighting. Offering further protection, File Rescue recovery software can be downloaded for recovering lost or even accidentally deleted files and Media Scan Utility can be used to automatically scan CFexpress cards and inform you of the flash memory condition.
For image-makers in the field without access to AC power, the Forza 60 Battery Grip from Nanlite is an ergonomic solution that is designed to balance the light even with the optional FL-11 Fresnel or a softbox attached. The grip accepts two L-series/NP-F750 batteries that will run the 60W light for up to one hour at full power, while you stand-mount it via its 5/8″ receiver or handhold it for the ultimate freedom of movement. It even has retractable feet that let the grip and light stand on their own.
The AD200 TTL Pocket Flash Kit from Godox is built around a unique flash light source that has a standard speedlite head and a bare bulb head that give you the option of 2 distinctly different qualities of light. The kit comes with the 2 heads, lithium battery, charger and carry case.
The speedlight head outputs the standard look of an on-camera flash that can be modified using an optional softbox, beauty dish or umbrella. The bare bulb head features a removable flash tube and produces 360 degrees of soft, bright, nearly shadowless light. The head uses optional reflectors that focus the beam angle and give you directional control. The AD200 has impressive core features such as 200 Ws of power adjustable in 8 steps from 1/128 to 1/1, recycling from 0.01 to 2.1 seconds and flash durations as short as 1/11,300 sec. The flash runs on a removal rechargeable lithium battery that will give you up to 500 full power flashes and thousands of lower power flashes.
The AD200 has 3 flash modes: Manual, TTL, and Multi (Stroboscopic). Manual outputs the user’s choice of power, modeling light, first or second curtain sync, etc. Multi controls the stroboscopic rate up to 90 times (90 Hz). TTL takes advantage of the flash head’s built-in X1 receiver. Optional X1 TTL transmitters are available for Nikon, Canon, Sony, Olympus, Panasonic and Fuji cameras. They will also detect a separately purchased LED head. The 32-channel wireless system controls flash mode, first and second curtain sync, High-speed sync up to 1/8000 sec, power level, modeling lamp and ready beeper at distances up to 328′. Firmware updates are obtainable on the Godox website.
Creates Glowing Highlights
Softens Skin Details
Sparkle Appearance for Added Confidence
ColorCore Glass
Tiffen 4 x 4″ Glimmerglass 1-Stop Filter
The Tiffen 4 x 4″ Glimmerglass 1 Filter is a beauty filter whose function is two-fold: in addition to modifying the appearance of the image itself, it also features a sparkling appearance when viewed from the front, instilling more confidence in the model. The filter itself helps to soften skin details, blemishes, and wrinkles. It also produces glowing highlights and a mild reduction in contrast for a more ethereal appearance. The 1 density provides more softening than the 1/2, but less than the 2.
This filter is made using ColorCore technology, a process that involves laminating the filter substrate between 2 pieces of optical glass and grinding flat to a tolerance of 1/10,000th of an inch. This filter measures 4 x 4″ / 101.6 x 101.6mm.
The #1 is for black-and-white imaging
The #2 viewer is for film speeds to 100
The #3 is for faster film; they can be used for video, as well, with the #3 being better suited for lower light levels
The green #4 viewer is for process photography
The blue #5 is for blue screen work, as well as for setting up color video monitors
Tiffen #3 Color Viewing Filter
The Tiffen #3 Viewing filter is for faster film and video. Balancing lighting by eye is a matter of experience. Decisions can be aided through the use of contrast viewing filters. These are designed to handicap the eye, with its much greater range of apparent densities, to resemble the range of the various types of film.
Use contrast viewers to judge relative highlight and shadow densities
There are viewers for black-and-white film, as well as various viewer densities for color film
A darker viewer is used for slower film speeds, where you would tend to use brighter lighting; faster film, which can be used in dimmer settings would require a lighter viewer
The Soft/FX series has a pattern of tiny lens-lets designed specifically to put fine image elements, like wrinkles and skin blemishes, out of focus while leaving larger details such as the eyes, sharp. The proportion of clear space to the diffused pattern on the glass determines the strength of the filter and enables the overall image quality and sharpness to be retained. The lighter densities are very subtle producing no flare from highlights or reduction in contrast. The higher densities tend to be more noticeable in their effect while still providing a pleasing portrait.
Tiffen 77mm Circular Polarizer Filters – Light rays which are reflected become polarized. Polarizing filters are used to select which light rays enter your camera lens. They can remove unwanted reflections from non-metallic surfaces such as water or glass and also saturate colors providing better contrast. The effect can be seen through the viewfinder and changed by rotating the filter. The filter factor varies according to how the filter is rotated and its orientation to the sun.
If you’re out walking on a lovely day – in the mountains or at the beach – and you want to get a fabulous shot of a cloud-filled sky or make the water seem more saturated, then a polarizer is the way to go. This filter is the best way to make the clouds stand out, increase or decrease the saturation of the ocean or increase or decrease the reflection off the water. You can also use this filter when shooting into glass or windows since it will, again, either increase or decrease reflections.
If you’re shooting black and white and want to simulate a threatening storm, try throwing on a #25 Red filter. The vista will take on the appearance of an imminent, ominous storm.
Along with a UV or Skylight Filter, a polarizing filter should be a part of everyone’s gear bag. It can turn a run-of-the-mill image into a stunning, creative photo by increasing color saturation.
The Tiffen 6.6 x 6.6″ Black Pro-Mist 1/4 Filter helps to reduce the value of the highlights while slightly lowering the overall contrast. This filter is especially useful for smoothing out and softening facial wrinkles and other blemishes. While designed for use with movies, this filter can also be used for fashion and beauty applications. Unlike a traditional diffusion or soft focus filter, Pro-Mist filters provide little loss of detail across the image. The 1/4 density provides a very small amount of contrast and highlight reduction and allows for a soft, pastel-like quality of light.
Tiffen filters are made using ColorCore technology, a process that involves laminating the filter substrate between 2 pieces of optical glass and grinding flat to a tolerance of 1/10,000th of an inch. This filter measures 6.6 x 6.6″ / 167.6 x 167.6mm.
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