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Lens Filters
Tiffen 6.6 x 6.6″ 2 Straw Solid Color Filter
Availability:
Out of stock
- 2 Density Solid Color Filter
- Warm Straw Coloration
- ColorCore Technology
Tiffen 6.6 x 6.6″ 2 Straw Filter
The Tiffen 6.6 x 6.6″ 2 Straw Solid Color Filter adds a warm, golden yellowish coloration across the entire image and helps to subdue overly bluish casts. The solid color design makes this filter well-suited to pairing with other filters for further control over the appearance of imagery. The 2 color density provides less straw coloration than the 3 density, but more than the 1 density filter.
This filter is made using ColorCore technology, a process that involves laminating the filter substrate between 2 pieces of optical glass and grinding flat to a tolerance of 1/10,000th of an inch. It measures 6.6 x 6.6″ / 167.6 x 167.6mm.
EGP10,874.82 EGP11,999.00
Out of stock
Report Abuse| Weight | 0.4 kg |
|---|---|
| Dimensions | 21 × 19.8 × 2.8 cm |
Tiffen 6666ST2 Specs
| Filter Type | Solid Straw (Grade 2) |
| Rectangular Size | 6.6 x 6.6″ / 167.6 x 167.6 mm |
| Filter Thickness | 0.16″ / 4 mm |
| Filter Material | Glass |
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Lighting, Studio
Aputure Accent B7C RGBWW LED 8-Light Kit with Charging Case
- Eight Accent B7C RGBWW LED Bulbs
- Carrying Case with Integrated AC Charger
- 7 ccm Diameter Bulb: 2000 to 10,000K,
- CRI/TLCI: 95+/96+; 9 x Special Effects
- RGB Mode with Hue, Saturation, Intensity
- AC or Built-In Battery, 70 Min. Runtime
- Dims 0 to 100%, E26/27 Base
- Bluetooth Wireless Range: 50 m
Aputure Accent B7C Overview
This Accent B7C RGBWW LED 8-Light Kit from Aputure is a location lighting solution in a convenient carrying case. It includes eight of the versatile RGBWW LED bulbs in a rugged polymer carrying case that features an integrated multi-voltage AC charger, flip-lock latches, and a pressure release valve. This dustproof case features a molded handle and accepts user-supplied padlocks for security.
In the Box
- 8 x Aputure Accent B7c LED RGBWW Light
- Limited 1-Year Warranty
- Charging Case
- Limited 1-Year Warranty, Extended to 2 Years with Online Registration
SKU: n/a -
DSLR Lenses
Canon EF 11-24mm f/4L USM Lens
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/4 to f/22
- One Super UD and One UD Element
- Four Aspherical Elements
Canon EF 11-24mm f/4L USM Lens
A truly versatile wide-angle zoom featuring an advanced optical design and constant f/4 maximum aperture, the Canon EF 11-24mm f/4L USM Lens is a member of the esteemed L-series of lenses designed for full-frame EOS DSLRs. One Super UD element and one UD element offer a significant reduction in chromatic aberrations while four aspherical elements help to minimize distortions throughout the zoom range and provide consistent edge-to-edge sharpness and illumination. Both SWC and ASC coatings have been applied to the elements in order to reduce lens flare and ghosting for increased contrast and color accuracy. Ideally suited for landscape and architectural photography, this lens covers ultra-wide to wide-angle perspectives and backs up its versatile zoom range with sophisticated optical components and intuitive handling.
In regard to focusing performance, a ring-type Ultrasonic Motor offers fast, smooth, and near-silent autofocus, which is further benefitted by full-time manual focus operation and an internal focusing design. The lens is both water and dust-resistant, and fluorine coatings have also been applied to the front and rear elements to protect against fingerprints and smudges from affecting image quality.
In the Box
- Canon EF 11-24mm f/4L USM Lens
- Canon Lens Cap for EF 11-24mm f/4L USM
- Canon Lens Dust Cap E (Rear Lens Cap)
- Canon LP1424 Lens Case
SKU: 9520B002 -
Photography, Digital Cameras, Mirrorless Cameras
Nikon Z 6II Mirrorless Digital Camera (Body Only)
- 24.5MP FX-Format BSI CMOS Sensor
- Dual EXPEED 6 Image Processors
- UHD 4K30 Video; N-Log & 10-Bit HDMI Out
- 14 fps Cont. Shooting, ISO 100-51200
- 273-Point Phase-Detect AF System
- 3.6m-Dot OLED Electronic Viewfinder
- 8 cm 2.1m-Dot Tilting Touchscreen LCD
- 5-Axis In-Body Vibration Reduction
- Dual Memory Card Slots
Nikon Z6 II Overview
More speed, more versatility, more performance, the Nikon Z 6II is an updated take on the all-rounder mirrorless camera designed for high-end photo and video applications. Despite the wealth of upgrades, the Z 6II retains its familiar form factor and prized image quality to benefit working multimedia image-makers.
Revolving around a 24.5MP BSI CMOS sensor and dual EXPEED 6 image processors, the Z 6II is characterized by an increased buffer depth and faster continuous shooting rate, up to 14 fps with single-point AF or 12 fps shooting in other focusing modes. Video recording at UHD 4K 30p is possible, or up to FHD 120p for slow-motion output, and external recording gains 10-bit out along with N-Log and HLG (HDR) support. The sensor also suits working in a variety of lighting conditions, with sensitivity from ISO 100-51200, and in-body 5-axis Vibration Reduction reduces the appearance of camera shake for sharper handheld shooting. Additionally, the sensor also incorporates a 273-point phase-detection AF system, which now supports Eye-Detect AF in Wide-Area AF modes and during movie recording, and permits focusing in low-light down to -4.5 EV.
Balancing the imaging, the Z 6II retains its overall physical design, however it has been updated with a new dual memory card slot interface to hold one CFexpress Type B card and one SD UHS-II card for more flexible storage. Both a high-res 3.6m-dot OLED EVF and rear 3.2″ 2.1m-dot tilting touchscreen LCD lend versatility to image composition and playback, and SnapBridge wireless connectivity can be used for remote camera control, image sharing to a mobile device, and even over-the-air firmware updates.
Firmware version 1.10 unlocks UHD 4K recording at 60p and 50p frame rates, enables raw video output to Blackmagic Design Video Assist external recorders, and improves eye-detection performance when using Auto-Area AF and Wide-Area AF modes.
In the Box
- Nikon Z 6II Mirrorless Digital Camera (Body Only)
- Nikon EN-EL15c Rechargeable Lithium-Ion Battery
- Nikon MH-25A Battery Charger for EN-EL15 Li-Ion Battery
- Nikon UC-E24 USB Cable
- HDMI/USB Cable Clip
- Nikon BS-1 Hot Shoe Cover for Nikon SLR Cameras
- Nikon AN-DC19 Camera Strap
- Nikon BF-N1 Body Cap
- Nikon DK-29 Rubber Eyecup
- Limited 1-Year Warranty
SKU: 1659 -
On Camera Monitors
SWIT 5.5″ Full HD HDMI On-Camera Monitor
- SWIT 5.5″ HDMI 1920 x 1080 Monitor
- Up to UHD 4K 3840 x 2160 Input Support
- 450 cd/m² Brightness
- 1000:1 Contrast Ratio
SWIT 5.5″ Full HD Monitor
Monitor your shots with the 5.5″ Full HD HDMI On-Camera Monitor from SWIT. Featuring a display resolution of 1920 x 1080, a contrast ratio of 1000:1, and a brightness of 450 cd/m², this monitor enables you to accurately view the footage being captured. Wide viewing angles of 178° make it easy for multiple members of the crew to watch the footage at the same time. The monitor’s HDMI input supports resolutions up to UHD 4K30.
The CM-55C features various monitoring tools including histogram, false color, and audio meters, as well as focusing aids such as quick zoom-in and pan. At the rear of the monitor, there is a built-in battery slot that accepts both Sony NP-F and Canon LP-E6 batteries. Also onboard is a DC port that you can use to power your camera. A tilt arm bracket, a sun hood, and an 11.8″ HDMI cable are included in the package.
SKU: CM-55C
Product Enquiry
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Lens Filters
Tiffen 4 x 4″ Black Pro-Mist 1/4 Filter
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- ColorCore Technology
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The Tiffen 4 x 4″ Black Pro-Mist 1/4 Filter helps to reduce the value of the highlights while slightly lowering the overall contrast. This filter is especially useful for smoothing out and softening facial wrinkles and other blemishes. While designed for use with movies, this filter can also be used for fashion and beauty applications. Unlike a traditional diffusion or soft focus filter, Pro-Mist filters provide little loss of detail across the image. The 1/4 density provides a very small amount of contrast and highlight reduction and allows for a soft, pastel-like quality of light.
Tiffen filters are made using ColorCore technology, a process that involves laminating the filter substrate between 2 pieces of optical glass and grinding flat to a tolerance of 1/10,000th of an inch. This filter measures 4 x 4″ / 101.6 x 101.6mm.
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Tiffen Variable Viewing 0.6 to 2.4 Filter (2 to 8 Stops)
Handheld Neutral Density Preview Filter
Variable Density Range from 0.6 to 2.4
4x to 256x Filter Factor, +2 to 8 Stops
Combine with Other FiltersTiffen Variable Viewing 0.6 to 2.4 Filter
The Tiffen Variable Viewing 0.6 to 2.4 Filter is designed to be held over a cinematographer or photographer’s dominant eye and allows the primary effect of a neutral density filter to be conveniently previewed. By turning its rotatable front ring, this filter’s 0.6 to 2.4 density reduces apparent exposure by 2 to 8 stops. Within that density range, different amounts of exposure reduction on a scene or image can be conveniently compared. The most desirable density can then be chosen, and using separately available lens filters, applied to a camera system with exposure settings that initially correspond to the amount of brightness perceived by the unaided eye.Separately available, 49mm screw-on filters can be connected to the rotatable ring’s front threads, providing the ability to preview a wider variety of filter effects in combination with an increase in density. For easy, repeatable control over density settings regardless if a 49mm screw-on filter is connected to it, the rotatable ring is also visually demarcated with dots that represent different density values.
This filter is constructed from Water White glass for increased optical clarity, and its aluminum-alloy filter ring assembly is durable while remaining lightweight. A 1″ handle behind the rotatable ring enables comfortable, two-handed operation when adjusting density settings, while a detachable, 20″ nylon lanyard allows the Tiffen Variable Viewing 0.6 to 2.4 Filter to be worn around one’s neck, helping to ensure that it stays within reach during use.
SKU: VVF -
Lens Filters
Tiffen #3 Color Viewing Filter
The #1 is for black-and-white imaging
The #2 viewer is for film speeds to 100
The #3 is for faster film; they can be used for video, as well, with the #3 being better suited for lower light levels
The green #4 viewer is for process photography
The blue #5 is for blue screen work, as well as for setting up color video monitorsTiffen #3 Color Viewing Filter
The Tiffen #3 Viewing filter is for faster film and video. Balancing lighting by eye is a matter of experience. Decisions can be aided through the use of contrast viewing filters. These are designed to handicap the eye, with its much greater range of apparent densities, to resemble the range of the various types of film.
Use contrast viewers to judge relative highlight and shadow densities
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Lens Filters
Tiffen 77mm Circular Polarizing Filter
- Makes a Blue Sky Bluer
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- Eliminates Reflections
- High Quality ColorCore Glass
Tiffen 77mm Circular Polarizing Filter
Tiffen 77mm Circular Polarizer Filters – Light rays which are reflected become polarized. Polarizing filters are used to select which light rays enter your camera lens. They can remove unwanted reflections from non-metallic surfaces such as water or glass and also saturate colors providing better contrast. The effect can be seen through the viewfinder and changed by rotating the filter. The filter factor varies according to how the filter is rotated and its orientation to the sun.
If you’re out walking on a lovely day – in the mountains or at the beach – and you want to get a fabulous shot of a cloud-filled sky or make the water seem more saturated, then a polarizer is the way to go. This filter is the best way to make the clouds stand out, increase or decrease the saturation of the ocean or increase or decrease the reflection off the water. You can also use this filter when shooting into glass or windows since it will, again, either increase or decrease reflections.
If you’re shooting black and white and want to simulate a threatening storm, try throwing on a #25 Red filter. The vista will take on the appearance of an imminent, ominous storm.
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Lens Filters
Tiffen #5 Viewing Filter for Blue Screen
- The #1 is for black-and-white imaging
- The #2 viewer is for film speeds to 100
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- The green #4 viewer is for process photography
- The blue #5 is for blue screen work, as well as for setting up color video monitors
Tiffen #5 Viewing Filter for Blue Screen
The Tiffen #5 Viewing filter is for blue screen work, as well as for setting up color video monitors. Balancing lighting by eye is a matter of experience. Decisions can be aided through the use of contrast viewing filters. These are designed to handicap the eye, with its much greater range of apparent densities, to resemble the range of the various types of film.
- Use contrast viewers to judge relative highlight and shadow densities
- There are viewers for black-and-white film, as well as various viewer densities for color film
- A darker viewer is used for slower film speeds, where you would tend to use brighter lighting; Faster film, which can be used in dimmer settings would require a lighter viewer
SKU: 5CVF
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