Tiffen 4 x 4″ Glimmerglass 1 Filter
Out of stock
Creates Glowing Highlights
Softens Skin Details
Sparkle Appearance for Added Confidence
ColorCore Glass
Tiffen 4 x 4″ Glimmerglass 1-Stop Filter
The Tiffen 4 x 4″ Glimmerglass 1 Filter is a beauty filter whose function is two-fold: in addition to modifying the appearance of the image itself, it also features a sparkling appearance when viewed from the front, instilling more confidence in the model. The filter itself helps to soften skin details, blemishes, and wrinkles. It also produces glowing highlights and a mild reduction in contrast for a more ethereal appearance. The 1 density provides more softening than the 1/2, but less than the 2.
This filter is made using ColorCore technology, a process that involves laminating the filter substrate between 2 pieces of optical glass and grinding flat to a tolerance of 1/10,000th of an inch. This filter measures 4 x 4″ / 101.6 x 101.6mm.
EGP5,042.21 EGP5,499.00
Out of stock
Report Abuse| Weight | 0.2 kg |
|---|---|
| Dimensions | 15.24 × 14 × 3 cm |
Tiffen 44GG1 Specs
| Filter Factor/Density | 1.0 (3.3 Stops) |
| Filter Type | Soft Focus |
| Rectangular Size | 4 x 4″ / 100.0 x 100.0 mm |
| Filter Material | Glass |
Packaging Info
| Package Weight | 0.37 lb |
| Box Dimensions (LxWxH) | 6 x 5.5 x 1.1″ |
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- Vendor: Gleee
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DSLR Lenses
Canon EF 35mm f/1.4L II USM Lens
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/1.4 to f/22
- Blue Spectrum Refractive Optics Element
- Two Aspherical Elements, One UD Element
Canon EF 35mm f/1.4L II USM Lens
Characterized by its unique and advanced optical composition, the Canon EF 35mm f/1.4L II USM is a wide-angle L-series prime featuring a fast f/1.4 maximum aperture to suit working in difficult lighting conditions. Its optical design incorporates a Blue Spectrum Refractive Optics element; a specially developed element that helps to nearly eliminate chromatic aberrations and color fringing for notable clarity and color accuracy. In addition to this, an ultra-low dispersion element and two aspherical elements are also featured to further control various aberrations and distortion for great sharpness and resolution. Individual elements also feature a Sub Wavelength Coating to suppress flare and ghosting for high contrast and color fidelity when working in harsh and backlit conditions.
Besides the optical attributes, this lens sports a ring-type USM for quick and quiet autofocus performance and full-time manual focus override. Its durable physical construction is dust- and moisture-sealed, and a fluorine coating has been added to the exposed elements to guard against fingerprints and smudging.
In the Box
- Canon EF 35mm f/1.4L II USM Lens
- Canon E-72 II 72mm Lens Cap
- Canon Lens Dust Cap E (Rear Lens Cap)
- Canon EW-77B Lens Hood
- Canon LP1219 Soft Lens Case
SKU: 9523B002 -
Light Modifiers
SWIT 40° Honeycomb Grid for PL-E90 & PL-E90D LED Light Panels
- For PL-E90 & PL-E90D LED Light Panels
- Narrows Beam Spread
- Controls Spill Light
- Concentrates Light
SWIT Honeycomb Grid
Narrow the beam spread and control spill light with the 40° Honeycomb Grid from SWIT. Featuring rugged metal construction, the grid attaches to the front of the PL-E90 & PL-E90D LED Light Panels and reduces the beam spread to 40°. This allows you to reduce the spread of light emanating from the LED fixtures and concentrates light on your subject or scene. Well-suited for portraits and interviews, the 40° grid is a handy light-shaping tool that provides you with a distinct and unique look when using an LED light panel.
SKU: LA-GE90 -
LED Lights
SWIT S-2420C Bi-Color Edge Mounted Soft Panel LED light
- 75-Degree Beam Angle
- Color Control from 3200 – 5600K
- 10-100% Flicker-Free Dimming
- Accepts V-Mount or L-Series Batteries
SWIT S-2420C Bi-color LED Panel
The S-2420C Bi-Color Edge Mounted Soft Panel LED light from Swit is a sleek fixture with a thin 2″ metal design and a 75-degree beam angle. The S-2420C allows you to vary the color temperature from 3200 – 5600K or anywhere in between to match prevailing ambient color conditions or work creatively without resorting to filters. Flicker-free dimming from 10-100% brings another level of control. Settings and adjustments are displayed on the easy-to-read rear LCD screen. Both features maintain high color fidelity with a CRI of 96 and a TLCI rating of 98. Power requirements is yet another indication of the .versatility that’s key to the S-2420C’s design. The light will run on a V-Mount battery, dual Sony L-Series batteries, or on the included AC adapter, making it ready for worldwide use.
SKU: S-2420C -
Lighting, Studio
Nanlite FL-11 Fresnel Lens for Forza 60
- 10 to 45-Degree Adjustable Beam Spread
- Includes Metal Barndoors
- Glass Construction 6 cm Diameter
- Forza 60 Reflector Mount
Nanlite FL-11 Overview
The FL-11 Fresnel Lens for Forza 60 from NanLite modifies the light’s wide beam spread to an adjustable 10 to 45-degree flood-to-spot beam angle. Benefitting from NanLite’s Quick Change Modifier Mount, the Fresnel lens offers push-button and quarter turn attachment to the specifically designed NanLite Forza 60 light modifier mount. The included barndoors allow further beam spread adjustment to facilitate selective lighting. A padded carrying case is included for storage and transport.
In the Box
- Nanlite FL-11 Fresnel Lens for Forza 60
- Metal Barndoor set
- Padded Carry Case
- Limited 1-Year Warranty, Extended to 3 Years with Online Registration
SKU: FL-11
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Lens Filters
Tiffen 77mm Variable Neutral Density (ND) Filter
- Provides 2 to 8 Stops of Light Control
- Rotating Ring to Choose Degree of ND
- Eliminates Buying Many ND Filters
- Use to Create Blurs/Special Effects
Tiffen 77mm Variable ND Filter
The 77mm Variable Neutral Density Filter from Tiffen offers a unique way of maintaining total control over your depth of field as well as presenting an efficient way to create some special effects. The filter is designed with a built-in rotating ring that controls neutral density ranging from 2 – 8 stops (0.6- 2.4). The heavier the density, the slower your shutter speed will be. This longer exposure allows the shutter to remain open long enough to record the same amount of light but will also create movement within the shot. Another major benefit of this filter is the elimination of having to buy and carry around individual neutral density filters. With this one filter, you can rotate to the degree of ND you want – a real time and money saver.
Simply mount the filter on your lens, set it to “Min” density then frame and focus. Care must be taken with focusing at heavier densities to make sure focus is accurate. However, if it isn’t, switch to manual focus and rotate to the desired degree of filtration.
For example, if your standard exposure without the filter is 1/500 @ f/8 and you then set the filter to “Min”, you change the shutter speed to 1/125 at the same aperture – thereby losing 2 stops of speed while gaining a hint of “blur” in the image. If that’s not enough filtration, continue rotating the filter until you reach the shutter speed you desire. Using the above example, you can even get down to 1/2 second @ f/8 (8 stops). It should be noted that the calibration marks on the filter ring are to be used only for reference and should not be regarded as accurate settings for specific densities.
A Neutral Density filter is used to create some unusual special effects such as capturing the “blur” of the rippling water of a waterfall or the swirling effect of city traffic. Since it allows the use of slower shutter speeds in bright light, it becomes possible to create these special effects that would normally not be possible to capture without the filter. And, since it can also help to control your depth of field, it permits you to shoot at wider apertures. Ultimately, its value is in helping to prevent bright, overly washed out images shot in bright light.
The ColorCore process allows Tiffen to control the color and density of their filters, and the characteristics of special effects filters with much greater accuracy than typical dyed-in-the-mass filters, which usually exhibit color and density variations. In this way, Tiffen can better control the various densities of their filters and thereby create more exact degrees of filtration.
SKU: 77VND -
Lens Filters
Tiffen 82mm Linear Polarizer Filter
- Helps to Eliminate Reflections and Glare
- Reduces Haze and Blue Cast in Landscapes
- Greater Color and Tonal Saturation
- ColorCore Technology
Tiffen 82mm Linear Polarizer Filter
The Tiffen 82mm Linear Polarizer Filter helps to reduce reflections and glare by filtering out light that has become polarized due to reflection from a non-metallic surface. The light from the sun naturally becomes partially polarized due to reflecting off electrons in air molecules, causing the light to scatter into what appears as haze. A polarizing filter arranges, and filters, this directionally polarized light perpendicularly to the reflected light, allowing for the absorption of much of this light. This results in a noticeable reduction of glare and reflections from non-metallic surfaces and an increase in the saturation of skies and foliage.
A linear polarizer only differs from a circular polarizer in that it does not contain a quarter wave plane that enables use of auto focus and exposure features. Linear polarizers are best suited for use with manual cameras, such as view cameras, that are not dependent on internal mechanisms to determine focus or metering settings.
Tiffen filters are made using ColorCore technology, a process that involves laminating the filter substrate between 2 pieces of optical glass, grinding flat to a tolerance of 10,000th of an inch, and then mounting to precision metal rings.
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Lens Filters
Tiffen 77mm Circular Polarizing Filter
- Makes a Blue Sky Bluer
- Enhances Clouds
- Eliminates Reflections
- High Quality ColorCore Glass
Tiffen 77mm Circular Polarizing Filter
Tiffen 77mm Circular Polarizer Filters – Light rays which are reflected become polarized. Polarizing filters are used to select which light rays enter your camera lens. They can remove unwanted reflections from non-metallic surfaces such as water or glass and also saturate colors providing better contrast. The effect can be seen through the viewfinder and changed by rotating the filter. The filter factor varies according to how the filter is rotated and its orientation to the sun.
If you’re out walking on a lovely day – in the mountains or at the beach – and you want to get a fabulous shot of a cloud-filled sky or make the water seem more saturated, then a polarizer is the way to go. This filter is the best way to make the clouds stand out, increase or decrease the saturation of the ocean or increase or decrease the reflection off the water. You can also use this filter when shooting into glass or windows since it will, again, either increase or decrease reflections.
If you’re shooting black and white and want to simulate a threatening storm, try throwing on a #25 Red filter. The vista will take on the appearance of an imminent, ominous storm.
Along with a UV or Skylight Filter, a polarizing filter should be a part of everyone’s gear bag. It can turn a run-of-the-mill image into a stunning, creative photo by increasing color saturation.
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Lens Filters
Tiffen 4 x 4″ Glimmerglass 1/2 Diffusion Filter
Softens Fine Details Like Blemishes
Adds Slight Glow to Highlights
Reduces Contrast
Minimal Highlight FlareTiffen 4 x 4″ Glimmerglass 1/2 Diffusion Filter
The 4 x 4″ Glimmerglass 1/2 Diffusion Filter from Tiffen is a unique way to give your portrait subject a clean, fresh and flattering appearance. This creative diffusion filter offers you a graded way to choose the degree of filration that will compliment your subject. While Glimmerglass softens fine details like blemishes, it also adds a gentle and flattering glow to the shot that adds an enhanced sense of glamor. The lighter grades of the filter are subtle while the higher grades will show noticeably more diffusion.The filter also reduces contrast that will take the harshness off the shot and present your subject in a more flattering light. The main feature of Glimmerglass is that it produces a silver sparkle in the front of the filter that makes your subject feel more confident. That sparkle adds a psychological element to the shot that makes your subject more responsive and confident that the session is going well. In that sense, Glimmerglass is as effective to look at as it is to look through.
The 1/2 Glimmerglass is still subtle in its effect but generates enough softness to deliver a pleasing portrait with a soft glow around the highlights. Contrast is lower than the 1/4 version.
Tiffen’s ColorCore glass is produced through a process that entails permanently laminating the filter material in between two pieces of optical glass that are ground flat to tolerances of a ten-thousandth of an inch, then mounting them in precision aluminum rings.
SKU: 44GG12 -
Lens Filters
Tiffen #4 Process Photography Viewing Filter
- The #1 is for black-and-white imaging
- The #2 viewer is for film speeds to 100
- The #3 is for faster film; they can be used for video, as well, with the #3 being better suited for lower light levels
- The green #4 viewer is for process photography
- The blue #5 is for blue screen work, as well as for setting up color video monitors
Tiffen #4 Process Photography Viewing Filter
The Tiffen #4 Viewing filter is for process photography. Balancing lighting by eye is a matter of experience. Decisions can be aided through the use of contrast viewing filters. These are designed to handicap the eye, with its much greater range of apparent densities, to resemble the range of the various types of film.
- Use contrast viewers to judge relative highlight and shadow densities
- There are viewers for black-and-white film, as well as various viewer densities for color film
- A darker viewer is used for slower film speeds, where you would tend to use brighter lighting; Faster film, which can be used in dimmer settings would require a lighter viewer
SKU: 4CVF
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