SWIT CL-15 Bi-color SMD On-camera LED Light
Available on backorder
- 416pcs ultra bright long-life LEDs
- Surface mounted LED technology
- 120°(half-declined 65°) wide beam angle
- 3200K-6500K continuously adjustable
SWIT CL-15 Bi-color LED Light
The CL-15 Bi-Color On-Camera LED Light with Sony NP-F970/770 battery mount from SWIT features 416 ultra-bright, surface mounted LEDs. It comes with a polycarbonate diffuser that attaches on the front of light fixture via magnets. The diffuser helps generate an equally spread, glareless light for close interview and professional film lighting. This LED light offers a 120° wide beam angle with a half-declined beam at 65°, an illumination of 550 lux at 3.3′, and a CRI rating of 93. The light output can be adjusted from 10 to 100% with the onboard dimmer. The color temperature can also be continuously adjusted from 5600 to 3200K via the knob on the rear panel.
In the Box
- SWIT CL-15 Bi-Color SMD On-Camera LED Light (Sony NP-F Mount)
- Magnetic Diffuser Cover
Available on backorderReport Abuse
|Dimensions||17.5 × 9 × 2 cm|
SWIT CL-15 Specs
|Lamp Type||416 pcs SMD LEDs|
|Mount Type||1/4″-20 screw
|Photometrics||550Lux @ 1 meter|
|Beam Angle||LED 120°; Half decline at 65°|
|Color Temperature||3200K ～ 6500K|
|Rating||CRI 95; TLCI 97|
|LED Lifetime||50,000 hours|
|Power Source||6 to 17 VDC|
|Power Consumption||Approximately 12 W|
|Power Connector||Built-in NP-F battery plate|
|Dimensions||5.6 x 3.6 x 1.3″ / 143 x 91 x 34 mm|
|Weight||Approximately 5.9 oz / 166 g|
|Package Weight||2 lb|
|Box Dimensions (LxWxH)||8.3 x 7.5 x 5″|
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- Vendor: PROFMEDIA
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Tiffen 6.6 x 6.6″ Soft/FX 1/4 Density Filter
- Soft-Focus Effect
- Reduces Subject Blemishes and Wrinkles
- Maintains Overall Sharpness
- 4mm-Thick Optical Glass Construction
Tiffen 6.6 x 6.6″ Soft/FX 1/4 Filter
The Soft/FX series has a pattern of tiny lens-lets designed specifically to put fine image elements, like wrinkles and skin blemishes, out of focus while leaving larger details such as the eyes, sharp. The proportion of clear space to the diffused pattern on the glass determines the strength of the filter and enables the overall image quality and sharpness to be retained. The lighter densities are very subtle producing no flare from highlights or reduction in contrast. The higher densities tend to be more noticeable in their effect while still providing a pleasing portrait.SKU: 6666SFX14
Power Adapter Cables
LanParte D-Tap to LEMO Power Cable for Canon C300 Mark II
- For the Canon C300 Mark II
- D-Tap Connector
- 60cm 4-Pin LEMO Cable
LanParte D-Tap Canon C300 MK II Power Cable
Use this D-Tap to LEMO Power Cable from LanParte to power your Canon C300 Mark II through the D-Tap output of a battery or battery adapter plate. The D-Tap to LEMO Power Cable extends your camera operating time by enabling the use of longer-lasting pro batteries with D-Tap ports.SKU: DT-LM-4-65
Atomos Shinobi SDI 5″ 3G-SDI & 4K HDMI Pro Monitor
1920 x 1080 Touchscreen Display
3G-SDI & 4K HDMI Inputs
1000 cd/m² Brightness
Double your video input options with the Shinobi SDI 5″ 3G-SDI & 4K HDMI Pro Monitor from Atomos. The flexible Shinobi SDI is on-camera monitor with both 3G-SDI and HDMI inputs, supporting up to DCI 2K via SDI or up to DCI 4K via its HDMI input. It features a 10-bit (8+2 FRC) IPS screen with a brightness of 1000 cd/m², suiting it for use in both exterior and interior conditions.
The Shinobi SDI’s AtomHDR display technology enables you to accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The monitor supports popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. Preview SDR or HDR LUTs in real time and choose from up to eight custom LUTs loaded in via the SD card slot.
Built to withstand the rigors of production, the Shinobi SDI features a lightweight plastic chassis and can be powered from either a single L-series battery or via the included AC adapter. Additional features include the AtomOS 10 platform with a variety of onscreen exposure analysis, framing, and focus assist tools, as well as anamorphic de-squeeze.SKU: ATOMSHBS01
Tiffen 77mm Variable Neutral Density (ND) Filter
- Provides 2 to 8 Stops of Light Control
- Rotating Ring to Choose Degree of ND
- Eliminates Buying Many ND Filters
- Use to Create Blurs/Special Effects
Tiffen 77mm Variable ND Filter
The 77mm Variable Neutral Density Filter from Tiffen offers a unique way of maintaining total control over your depth of field as well as presenting an efficient way to create some special effects. The filter is designed with a built-in rotating ring that controls neutral density ranging from 2 – 8 stops (0.6- 2.4). The heavier the density, the slower your shutter speed will be. This longer exposure allows the shutter to remain open long enough to record the same amount of light but will also create movement within the shot. Another major benefit of this filter is the elimination of having to buy and carry around individual neutral density filters. With this one filter, you can rotate to the degree of ND you want – a real time and money saver.
Simply mount the filter on your lens, set it to “Min” density then frame and focus. Care must be taken with focusing at heavier densities to make sure focus is accurate. However, if it isn’t, switch to manual focus and rotate to the desired degree of filtration.
For example, if your standard exposure without the filter is 1/500 @ f/8 and you then set the filter to “Min”, you change the shutter speed to 1/125 at the same aperture – thereby losing 2 stops of speed while gaining a hint of “blur” in the image. If that’s not enough filtration, continue rotating the filter until you reach the shutter speed you desire. Using the above example, you can even get down to 1/2 second @ f/8 (8 stops). It should be noted that the calibration marks on the filter ring are to be used only for reference and should not be regarded as accurate settings for specific densities.
A Neutral Density filter is used to create some unusual special effects such as capturing the “blur” of the rippling water of a waterfall or the swirling effect of city traffic. Since it allows the use of slower shutter speeds in bright light, it becomes possible to create these special effects that would normally not be possible to capture without the filter. And, since it can also help to control your depth of field, it permits you to shoot at wider apertures. Ultimately, its value is in helping to prevent bright, overly washed out images shot in bright light.
The ColorCore process allows Tiffen to control the color and density of their filters, and the characteristics of special effects filters with much greater accuracy than typical dyed-in-the-mass filters, which usually exhibit color and density variations. In this way, Tiffen can better control the various densities of their filters and thereby create more exact degrees of filtration.SKU: 77VND