1 in stock
The Sensei PRO 77-82mm Aluminum Step-Up Ring permits the use of 82mm threaded filters on lenses with 77mm filter threads. It has large side knurls to provide a more textured grip when mounting or removing it from a lens. This step-up ring features a lightweight, aluminum alloy construction that has a corrosion-resistant, matte black, hard anodized finish for durability and to minimize reflections.
EGP349.00
1 in stock
Report Abuse| Weight | 0.090 kg |
|---|---|
| Dimensions | 14 × 11.5 × 2.5 cm |
| Step-Up Size (Lens to Filter) | 77 mm to 82 mm |
| Ring Thickness | 4.1 mm |
| Ring Material | Aluminum |
| Knurling | Side |
With this orange, 4.5 m ft long Tether Tools TetherPro USB Type-C Male to 5-Pin Micro-USB 2.0 Type-B Male Cable, you can connect a camera, smartphone, or other USB Type-C device to a computer, for the purposes of transferring data. This cable supports USB 2.0 for data transfer rates of up to 480 Mb/s.
If you connect a camera to a laptop and your camera is compatible with tethering, you can use this cable to help increase productivity during photo shoots. Rather than proof images on your camera’s small LCD, they are sent directly to a notebook’s larger, hi-res display. Seeing images in this way helps to review them for slight imperfections that you may have otherwise missed.
To help enhance performance, this cable is fully shielded and plated to help minimize signal interference. Please Note: this cable is designed to be used for data transfer only, and not for charging devices.
The Tiffen Cordura Six Filter Pouch (Black) is a padded Cordura pouch made to hold 6 round or square filters up to 82mm. There are 6 mesh pockets to hold the filters.
The Axler Recodo 7″ Arm with 1/4″-20 to 3/8″-16 Anti-Twist Fitting is a flexible 18 cm long arm for attaching and positioning available accessories to your camera or accessory mounting point. It features a 1/4″-20 threaded stud on one end, and a 3/8″-16 threaded stud with an integrated anti-twist fitting. It is machined from anodized aluminum for strength, and features three points of articulation that tighten and loosen using a single locking twist handle.
The ends of the arm are set into ball joints, with each joint providing swivel and lockable position adjustment. Each end features a rubber-topped platform that the threaded stud extends out of, and a thumbwheel that allows you to tighten your accessory on the mount.
Offering both strength and speed, the 80GB CFexpress Type A TOUGH Memory Card from Sony provides fast read speeds up to 800 MB/s along with write speeds up to 700 MB/s. This quick performance benefits recording a variety of video resolutions, bit-rates, and compressions, as well as high-resolution continuous raw photo shooting. Beyond its speed, this TOUGH memory card also has a reinforced physical design to withstand falls from up to 15′ and has been rigidity tested to 70 N of force. It’s also resistant to extreme temperatures, X-rays, electrostatic, and UV lighting. Offering further protection, File Rescue recovery software can be downloaded for recovering lost or even accidentally deleted files and Media Scan Utility can be used to automatically scan CFexpress cards and inform you of the flash memory condition.
Optimized video, optimized sensitivity, optimized speed, the Sony Alpha a7S III raises the bar for what a full-frame mirrorless camera is capable of. A revised 12.1MP Exmor R BSI CMOS sensor and updated BIONZ XR image processor offer faster performance, improved noise reduction, and a wider dynamic range, along with UHD 4K 120p video recording and internal 10-bit 4:2:2 sampling.
Video is the primary application of the a7S III, and improvements to the sensor and processor enable faster readout speeds and greatly reduced rolling shutter, along with high-bitrate internal recording, 16-bit raw output via the full-size HDMI port, and flexible control over motion with variable frame rate selection. The a7S III also does away with recording time limits and incorporates HLG for direct HDR production as well as S-Log2/S-Log3 gamma profiles for advanced HDR production with editing.
The updated sensor design also brings improved autofocus performance via 759 phase-detection points, which offer intelligent subject tracking and Real-time Eye AF to ensure critical focus on moving subjects in all recording modes. The sensor and BIONZ XR processor also facilitate impressive sensitivity, with an expanded range from ISO 40-409600, as well as fast 10 fps continuous shooting for up to 1000 consecutive raw frames. Additionally, 5-axis SteadyShot INSIDE sensor-shift image stabilization is available, too, which minimizes the appearance of camera shake by up to 5.5 stops.
Complementing the imaging assets, Sony has also made some changes to the a7S III’s physical design, including a rear LCD with a side-open articulating design and an impressive 9.44m-dot OLED electronic viewfinder. The camera’s menu system has also been updated for more intuitive navigation and the body design helps to promote better heat dissipation for improved continuous recording capabilities. Additionally, dual memory card slots both support working with CFexpress Type A or SD UHS-II memory cards for flexible and high-speed file storage.
Recording up to UHD 4K is possible with frame rates up to 120p, using full 1:1 pixel readout without binning. Internal 10-bit 4:2:2 sampling is also possible in all recording modes and, if recording externally via the full-size HDMI A port, 16-bit raw output is also possible for even greater tonal reproduction and post-production flexibility. Additionally, two codecs have also been developed: XAVC HS, which uses HEVC/H.265 encoding to retain more detail at smaller bitrates, and XAVC S-I, which is an intraframe codec for consistent performance and quality at bitrates up to 600 Mb/s.
The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate playback set to either 30p or 24p or, if moving down to Full HD resolution, an effective 240p frame rate is also available for even greater motion control. Additionally, suiting long-form recording, the a7S III does not have any recording time limits to allow for unlimited clip lengths. The camera’s physical design also features an improved heat-dissipating structure to promote longer possible recording times, up to an approximate 60-minute recording time at 4K60p.
Affording extensive customizable color and gamma controls, the a7S III allows users to adjust the gamma, black level, knee, color level, and more. S-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that matches the FX9 and FX6 cameras and is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights. Also, users can use the same S-Log2 Gamma Curve that is found on high end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal then traditional REC709, for increased post-production flexibility. HLG (Hybrid Log-Gamma) support is also available, along with the BT.2020 color space, for recording within a wide color gamut and, in addition to S-Log2, S-Log3 is also available for producing a 15+-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.
The a7S III incorporates an enhanced 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system, which compensates for five different types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.
For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.
Additionally, specifically for video, there is also an Active IS mode that adds even more precise stabilization methods for even smoother footage straight out of camera.
If you’ve ever had difficulty removing a filter from your lens, these Sensei Rubberized 72-82mm Filter Wrenches can help save the day. Two steel wrenches that each features a fully-rubberized surface are included with this set. Both wrenches may also be used to separate up to two stacked filters on a single lens. This can be accomplished by using one wrench to hold the filter closest to the lens in place and using the other wrench to unscrew the other filter. Along with long handles and a squeeze-type design, their rubberized surfaces further ensure comfort and provide an enhanced grip for ease of use. These wrenches are compatible with filters ranging from 72-82mm in diameter
Changing lenses on your camera when you are in the field can cause dust and debris to land on your sensor when it is exposed. The 12-pack of Type 3 Sensor Swab Ultra from Photographic Solutions is a 24mm wide swab designed to clean oil, dust, and debris from a digital camera’s CCD or CMOS sensor.
The thick and double wrapped swab is highly absorbent, and each swab is individually packaged to maintain the purity of the swab for cleaning. Additionally, fibers from the Sensor Swab do not shed once the sensor has been swiped across. Furthermore, Photographic Solutions recommends not removing the Sensor Swab from the wrapper until you are ready to use it, since debris may catch onto the swab and transfer to the sensor when cleaning.
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