Available on backorder
The 492 Micro Ball Head from Manfrotto is a6.5 cm tall, aluminum support with a load capacity of 4 kg. The head has a single ergonomic locking knob that controls the ball and pan movements at the same time. The 139 g head has a cut notch on the side that allows you to position the camera at a 90° angle, and the camera attaches to head via its 1/4″-20 mounting thread.
EGP1,000.00
Available on backorder
Report Abuse| Weight | 0.19 kg |
|---|---|
| Dimensions | 11.5 × 9 × 6.5 cm |
| Head Type | Ball Head |
| Camera Mounting Screw | 1/4″-20 Male |
| Quick Release Plate Type | No Quick Release |
| Load Capacity | 8.8 lb / 3.99 kg |
| Number of Bubble Levels | None |
| Friction Control | No |
| Independent Pan Lock | No |
| Material | Aluminum |
| Vertical Tilt | 0° to +90° |
| Panning Range | 360° |
| Dimensions | H: 2.6″ / H: 6.6 cm |
| Weight | 4.9 oz / 140.0 g |
Distinguished by its updated sensor design, the Alpha a7 III Mirrorless Digital Camera from Sony is a well-rounded camera suitable for both photo and video applications in a variety of working situations. Refined for improved speed and low-light performance, the full-frame 24.2MP Exmor R BSI CMOS sensor and BIONZ X image processor pair to realize an impressive 10 fps continuous shooting rate and improved autofocus performance for faster, more reliable subject tracking along with wide frame coverage. This updated Fast Hybrid AF System employs a combination of 693 phase-detection points and 425 contrast-detection areas for quicker acquirement of focus in a variety of lighting conditions, and also maintains focus on subjects more effectively. In addition to speed and AF, the processing improvements also help to realize greater image clarity and reduced noise throughout the sensitivity range from ISO 100-51200, which can further be expanded to ISO 50-204800. Video recording capabilities have also been extended for enhanced quality when recording UHD 4K video with the full width of the full-frame sensor to minimize moiré and aliasing. Additionally, benefitting both stills and video operation, the a7 III utilizes a 5-axis SteadyShot INSIDE sensor-shift image stabilization, which is now effective to minimize the appearance of camera shake by up to 5 stops.
Beyond just updates to the imaging system, the a7 III’s body design has also been revised to include a rear 3.0″ 922k-dot touchscreen LCD, which has a tilting design to better support working from high and low angles. A 2.36m-dot Tru-Finder OLED EVF is also featured for bright and clear eye-level monitoring. For greater shooting flexibility, dual SD memory card slots are now featured, and a larger NP-FZ100 battery is also employed to achieve up to approximately 710 shots per charge. Suiting the camera’s use in trying conditions, the magnesium-alloy chassis and weather-sealing also render the a7 III dust- and moisture-resistant.
The Profoto Air Remote Transceiver is a proprietary radio slave transceiver designed to work with the Pro-8a 1200 and 2400W/s power packs as well as the D1 Air series of monoheads. This transceiver can control an unlimited number of power packs and heads on eight channels. It can mount to your camera’s hot shoe, or sync to your flash terminal for firing.
Operating from two AAA batteries, at a frequency of 2.4GHz, the Air Sync has a range of 1000′ (300 m). It can sync up to 1/250 second with a focal plane shutter camera, and 1/500 second with a leaf shutter camera. Its triggering speed is over 100 fps.
The Air Remote can also be used in pairs or in conjunction with the Profoto Air Sync (one on camera and one on flash) to trigger flash units without built-in Air technology.
Li-ion battery pack of 7.2V nominal voltage
Comparable to SONY L series DV batteries
Display remaining power info on camera viewfinder
31Wh / 4.4Ah capacity
Multiple circuit protections
SWIT S-8770 L-Series Battery
S-8770 is a 7.2V, 31.7Wh Li-ion DV battery compatible with SONY L series NP-F770/970/960/950 batteries for Sony cameras HVR-Z5 & Z7, HVR-V1E, HVR-Z1E, HVR-HD1000E und HXR-NX5E. The build-in intelligent circuit has multiple protections of abnormal current, voltage and temperature.
31Wh / 4.4Ah Capacity
With 7.2V nominal voltage, the S-8770 has 31Wh / 4.4Ah capacity, and can run approx 3.5 hours on SONY HVR-Z1 camcorder when LCD monitor is on.
Easy Charging
The S-8770 can be charged on SWIT Dual channel charger S-3602F and SONY original charger. It takes about 2 hours and 50 minutes to charge from empty to 100%.
The PL-E60S Portable Bi-Color SMD LED Panel with V-Mount Battery Plate from SWIT is a low-profile fixture with a thin 1.8″ design and a 70° beam angle for wide coverage. The continuous variable color temperature range from 2700 to 6500K makes it possible to match existing ambient light conditions, other fixtures, or to work creatively without resorting to filters. The durable metal chassis is passively convection-cooled for completely silent operation, making it well suited to shooting applications when audio is being recorded.
Built around 320 high-efficiency LED bulbs results in a high CRI: 98, TLCI: 99 rating, ensuring accurate color rendition, skin-tone rendering, and flicker-free dimming from 0 to 100%. Color temperature and brightness functions can be adjusted locally on the fixture using intuitive controls. Settings are displayed on the large, easy-to-read LCD screen on the rear of the panel. The PL-E60S may be used anywhere in the world by using the included multi-voltage AC adapter, but can also be operated by optional V-Mount batteries when mains power is unavailable.
Offering both strength and speed, the 160GB CFexpress Type A TOUGH Memory Card from Sony provides fast read speeds up to 800 MB/s along with write speeds up to 700 MB/s. This quick performance benefits recording a variety of video resolutions, bit-rates, and compressions, as well as high-resolution continuous raw photo shooting. Beyond its speed, this TOUGH memory card also has a reinforced physical design to withstand falls from up to 15′ and has been rigidity tested to 70 N of force. It’s also resistant to extreme temperatures, X-rays, electrostatic, and UV lighting. Offering further protection, File Rescue recovery software can be downloaded for recovering lost or even accidentally deleted files and Media Scan Utility can be used to automatically scan CFexpress cards and inform you of the flash memory condition.
These Eneloop Rechargeable AA Ni-MH Batteries (4-Pack) from Panasonic come with a charger. Each battery has a capacity of 2000mAh and is factory-charged using solar energy, so ready-to-use right out of the box. The batteries hold 70% of their charge for up to 10 years, and can be recharged up to 2100 times.
Optimized video, optimized sensitivity, optimized speed, the Sony Alpha a7S III raises the bar for what a full-frame mirrorless camera is capable of. A revised 12.1MP Exmor R BSI CMOS sensor and updated BIONZ XR image processor offer faster performance, improved noise reduction, and a wider dynamic range, along with UHD 4K 120p video recording and internal 10-bit 4:2:2 sampling.
Video is the primary application of the a7S III, and improvements to the sensor and processor enable faster readout speeds and greatly reduced rolling shutter, along with high-bitrate internal recording, 16-bit raw output via the full-size HDMI port, and flexible control over motion with variable frame rate selection. The a7S III also does away with recording time limits and incorporates HLG for direct HDR production as well as S-Log2/S-Log3 gamma profiles for advanced HDR production with editing.
The updated sensor design also brings improved autofocus performance via 759 phase-detection points, which offer intelligent subject tracking and Real-time Eye AF to ensure critical focus on moving subjects in all recording modes. The sensor and BIONZ XR processor also facilitate impressive sensitivity, with an expanded range from ISO 40-409600, as well as fast 10 fps continuous shooting for up to 1000 consecutive raw frames. Additionally, 5-axis SteadyShot INSIDE sensor-shift image stabilization is available, too, which minimizes the appearance of camera shake by up to 5.5 stops.
Complementing the imaging assets, Sony has also made some changes to the a7S III’s physical design, including a rear LCD with a side-open articulating design and an impressive 9.44m-dot OLED electronic viewfinder. The camera’s menu system has also been updated for more intuitive navigation and the body design helps to promote better heat dissipation for improved continuous recording capabilities. Additionally, dual memory card slots both support working with CFexpress Type A or SD UHS-II memory cards for flexible and high-speed file storage.
Recording up to UHD 4K is possible with frame rates up to 120p, using full 1:1 pixel readout without binning. Internal 10-bit 4:2:2 sampling is also possible in all recording modes and, if recording externally via the full-size HDMI A port, 16-bit raw output is also possible for even greater tonal reproduction and post-production flexibility. Additionally, two codecs have also been developed: XAVC HS, which uses HEVC/H.265 encoding to retain more detail at smaller bitrates, and XAVC S-I, which is an intraframe codec for consistent performance and quality at bitrates up to 600 Mb/s.
The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate playback set to either 30p or 24p or, if moving down to Full HD resolution, an effective 240p frame rate is also available for even greater motion control. Additionally, suiting long-form recording, the a7S III does not have any recording time limits to allow for unlimited clip lengths. The camera’s physical design also features an improved heat-dissipating structure to promote longer possible recording times, up to an approximate 60-minute recording time at 4K60p.
Affording extensive customizable color and gamma controls, the a7S III allows users to adjust the gamma, black level, knee, color level, and more. S-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that matches the FX9 and FX6 cameras and is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights. Also, users can use the same S-Log2 Gamma Curve that is found on high end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal then traditional REC709, for increased post-production flexibility. HLG (Hybrid Log-Gamma) support is also available, along with the BT.2020 color space, for recording within a wide color gamut and, in addition to S-Log2, S-Log3 is also available for producing a 15+-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.
The a7S III incorporates an enhanced 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system, which compensates for five different types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.
For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.
Additionally, specifically for video, there is also an Active IS mode that adds even more precise stabilization methods for even smoother footage straight out of camera.
Offering both strength and speed, the 80GB CFexpress Type A TOUGH Memory Card from Sony provides fast read speeds up to 800 MB/s along with write speeds up to 700 MB/s. This quick performance benefits recording a variety of video resolutions, bit-rates, and compressions, as well as high-resolution continuous raw photo shooting. Beyond its speed, this TOUGH memory card also has a reinforced physical design to withstand falls from up to 15′ and has been rigidity tested to 70 N of force. It’s also resistant to extreme temperatures, X-rays, electrostatic, and UV lighting. Offering further protection, File Rescue recovery software can be downloaded for recovering lost or even accidentally deleted files and Media Scan Utility can be used to automatically scan CFexpress cards and inform you of the flash memory condition.
The Tiffen 6.6 x 6.6″ Black Pro-Mist 1/4 Filter helps to reduce the value of the highlights while slightly lowering the overall contrast. This filter is especially useful for smoothing out and softening facial wrinkles and other blemishes. While designed for use with movies, this filter can also be used for fashion and beauty applications. Unlike a traditional diffusion or soft focus filter, Pro-Mist filters provide little loss of detail across the image. The 1/4 density provides a very small amount of contrast and highlight reduction and allows for a soft, pastel-like quality of light.
Tiffen filters are made using ColorCore technology, a process that involves laminating the filter substrate between 2 pieces of optical glass and grinding flat to a tolerance of 1/10,000th of an inch. This filter measures 6.6 x 6.6″ / 167.6 x 167.6mm.
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