Available on backorder
EGP81,999.00 EGP89,999.00
Available on backorder
Report Abuse
As a moderate wide-angle prime, the APO-Summicron-SL 35 f/2 ASPH. is almost a universal lens. Its fast autofocus, robust design and construction and exceptional imaging quality make it an outstanding lens for reportage and a convincing choice for other areas of photography such as architecture, landscapes, portraiture and studio work. It is perfectly matched to the cutting-edge SL-System and has been conceived for a long working life under professional shooting conditions.
The autofocus system shared by the Summicron-SL lenses is fast, precise, and nearly silent. Their outstanding AF performance figures are thanks to the autofocus drive unit they both utilize. These are limited only by the mass of the glass elements moved when focusing; the speed of moving from infinity to the closest focusing distance. In order to preserve the compact dimensions of the lenses, the integration of these components must be perfectly optimized within all design constraints.
With a maximum aperture of f/2, the SL-Summicron lenses are significantly more compact than even faster lenses, but still allow photographers to work with similar depth of field. The reason for this is contrast: the area of highest contrast is incredibly sharp, while zones with lower contrast are unsharp or beautifully blurred.
In the construction of the Summicron-SL lenses, particular attention has been paid to the prevention of stray light and reflections. The optimization of the optical and mechanical design was carried out in elaborate simulations before the construction of the first prototype lenses. Unavoidable reflections are reduced to the lowest possible level by high-quality optical coatings of the lens surfaces.
The focusing and aperture setting functions of a SL-Summicron lens are based on a multitude of control systems and mathematical operations. The demands on the electronics are particularly high in the case of the double focusing system.
SL-Summicron Lenses feature a totally new manual focusing ring construction concept. In this concept, a ring magnet with alternating north-south magnetization is embedded in the manual focusing ring. The magnetic field changes its polarity when the ring is turned. A sensor monitors the status of the magnetic field and sends the data to the main processor. The drive then shifts the lens to the corresponding focusing position on the basis of the angle of rotation and the rotational speed.
The consistently compact dimensions, low weight, and the excellent grip and feel of the SL-Summicron lenses are particularly impressive when shooting. Thanks to the almost identical design of the Summicron-SL lenses, feeling for the MF ring is unnecessary after switching lenses and the center of gravity remains largely the same. This means that the camera always lies perfectly in the hand and makes working from a tripod much easier.
| Weight | 1.433 kg |
|---|---|
| Dimensions | 24.638 × 16.891 × 16.637 cm |
| Focal Length | 35mm |
| Maximum Aperture | f/2 |
| Minimum Aperture | f/22 |
| Lens Mount | Leica L |
| Format Compatibility | Full-Frame |
| Angle of View | 63.4° |
| Minimum Focus Distance | 10.63" / 27 cm |
| Maximum Magnification | 0.2x |
| Optical Design | 13 Elements in 11 Groups |
| Focus Type | Autofocus |
| Image Stabilization | None |
| Filter Size | 67 mm (Front) |
| Dimensions (ø x L) | 2.87 x 4.02" / 73 x 102 mm |
| Weight | 26.46 oz / 750 g |
| Package Weight | 3.16 lb |
| Box Dimensions (LxWxH) | 9.7 x 6.65 x 6.55" |
The first step in Canon‘s mirrorless evolution, the EOS R pairs a redeveloped lens mount and updated full-frame image sensor for a unique and sophisticated multimedia camera system. Revolving around the new RF lens mount, the EOS R is poised to be the means from which to make the most of a new series of lenses and optical technologies.
Focusing on the camera itself, the EOS R features a high-resolution 30.3MP full-frame CMOS sensor along with a DIGIC 8 image processor. The combination of these technologies offers a wide sensitivity range up to a native ISO 40000, fast continuous shooting to 8 fps, and UHD 4K30 video recording. In addition to imaging, the sensor also facilitates an advanced Dual Pixel CMOS AF system, which uses 5655 selectable points for quickly and accurately acquiring focus. This focusing system is also sensitive down to EV -6 for working in impressively dark conditions. The AF system is also perfectly matched to the UHD 4K video recording capabilities, which are also rounded out by Movie Digital IS to minimize camera shake, built-in Canon Log gamma for a greater dynamic range, and 4K 10-bit 4:2:2 output over HDMI for even greater color control.
Beyond the performance attributes, this camera has been designed from the ground up and features a high-resolution 3.69m-dot OLED electronic viewfinder for clear and bright eye-level viewing. Conversely, a rear 3.15″ 2.1m-dot LCD touchscreen is also featured, and has a swivel design to suit working from high and low angles. Also catering to the tactile cravings is a Multi-Function bar, which is customizable for intuitively adjusting shooting settings. And as a camera built to withstand the toughest environments, the magnesium alloy body is dust and moisture-sealed.
With its compact form and pro-level features, the Blackmagic Design Fairlight Desktop Console offers independent mixers and small postproduction studios a space-saving, purpose-built USB control surface for maximizing workflow efficiency with DaVinci Resolve’s Fairlight page.
The Fairlight Desktop Console provides 12 powerful channel strips, each with a touch-sensitive, motorized 100mm fader, an assignable multifunction pan knob (also touch-sensitive), a high-resolution color LCD screen, solo and mute buttons, and a multifunction select button. Use them as traditional per-channel console controls or switch to Focus mode to utilize the knobs and select buttons of all channels to adjust the parameters or plug-ins of a single track.
With logical navigation and transport controls and a high-quality search dial, you can move around your project with ease, speed, and ergonomic comfort, whether you’re recording automation or zooming in on a specific location. The Fairlight Desktop Console also functions as a flexible monitor controller with dedicated buttons for source selection, speaker dim and mute, switching between headphones and speakers, and talkback control.
The Fairlight Desktop Console connects to your computer via a USB Type-C connection (cable included) and boasts an HDMI output for visually monitoring all console activity.
Use this Handle from Godox to easily transport your AD600PRO photo strobe and re-position it while mounted on a lighting stand with a large-heavy modifier.
This handle is included with purchase of AD600PRO Strobes and is available here as a spare or replacement part
The Tiffen Cordura Four Filter Pouch is a padded Cordura nylon pouch made to hold four round filters up to 77mm in diameter. There are four mesh pockets to hold the filters.
A telephoto zoom designed for use in trying conditions, the FUJIFILM XF 50-140mm f/2.8 R LM OIS WR is a weather-sealed lens spanning the popular 76-213mm equivalent focal length range and featuring a constant f/2.8 maximum aperture. Built for FUJIFILM X-mount mirrorless digital cameras, this fast zoom further distinguishes itself with a sophisticated design, highly effective optical image stabilization system, and a Triple Linear Motor AF system for refined focusing performance.
In regards to the optical design, this lens incorporates five extra-low dispersion elements and one Super ED element, which reduce chromatic aberrations and color fringing for increased clarity and color accuracy. Additionally, a Nano-GI coating has also been applied to elements to alter the refractive index between elements, to minimize surface reflections, and to prevent lens flare and ghosting. Additionally a rounded seven-blade diaphragm contributes to a pleasing bokeh quality when working with selective focus techniques.
Mixing versatility, speed, and a sleek design, the XF 18-55mm f/2.8-4 R LM OIS from FUJIFILM is a flexible 27-84mm-equivalent standard zoom for X-mount mirrorless cameras. Its bright f/2.8-4 maximum aperture range suits working in difficult lighting conditions and also helps to keep the overall and size and weight of the lens down. In regard to optics, this zoom features three aspherical elements and one extra-low dispersion element, which help to control spherical and chromatic aberrations in order to improve sharpness and clarity. A Super EBC coating also improves contrast and color neutrality by reducing flare and ghosting when working in strong lighting conditions. Additionally, benefiting use in a variety of situations, a linear motor delivers quick and quiet autofocus performance and a five stop-effective image stabilization system minimizes the appearance of camera shake.
Well-suited for a wide variety of shooting situations, the FUJIFILM XF 16-80mm f/4 R OIS WR is a versatile 24-120mm-equivalent zoom, spanning wide-angle to medium-telephoto, and featuring a constant f/4 maximum aperture. Complementing this flexible design is an advanced optical layout, which includes a trio of aspherical elements and one ED aspherical element that help to minimize a variety of aberrations in order to produce high sharpness and clarity. A Super EBC coating also improves contrast and color neutrality by reducing flare and ghosting when working in strong lighting conditions. Also benefiting use in a variety of situations is a quick and quiet autofocus system along with a six stop-effective image stabilization system that minimizes the appearance of camera shake. Additionally, the lens is fully weather-sealed for working in inclement conditions.
Sporting an especially sleek design, the Nikon Z 50 is a DX-format mirrorless digital camera revolving around the versatile Z Mount. Capable in both stills and video realms, the Z 50 features a 20.9MP CMOS sensor and EXPEED 6 image processor, which enables fast performance up to 11 fps, a reliable 209-point hybrid AF system with eye detection, and notable low-light performance to ISO 51200. For video shooters, UHD 4K is supported up to 30 fps along with Full HD recording at up to 120 fps for slow-motion playback. For fine-tuning your photos and videos, in-camera clip trimming can be used, and 20 Creative Picture Controls and 10 Special Effects settings help to infuse your imagery with a unique look.
The body design is impressively sleek yet still ergonomic to benefit all-day-long shooting. A high-resolution 2.36m-dot OLED EVF benefits working in bright conditions with clear eye-level viewing and the 3.2″ rear touchscreen LCD has a 180° flip-down design that is perfect for selfies. The magnesium alloy body is weather-sealed, too, to suit working in inclement conditions. Additionally, for easy sharing, built-in Wi-Fi and Bluetooth work in conjunction with the Nikon SnapBridge app for wirelessly transferring photos and videos and remotely controlling the camera from your mobile device.
There are no reviews yet.