Effective Sensor Size
27.03mm x 14.25mm (Super35)
Out of stock
12K Super 35 HDR CMOS Sensor
12K 17:9 up to 60 fps, DCI 8K to 100 fps
14 Stops of Dynamic Range
User-Changeable PL Lens Mount
Blackmagic Design URSA Mini Pro 12K
The URSA Mini Pro 12K from Blackmagic Design is a revolution in digital film with a 12,288 x 6480 12K Super 35 sensor and 14 stops of dynamic range. The third generation URSA Mini Pro features new color science and shoots 80 megapixels per frame in Blackmagic RAW. You also get built in ND filters, user changeable lens mount and recording to dual CFast or SD cards. URSA Mini Pro 12K even supports recording direct to a flash disk or SSD using its built in SuperSpeed USB‑C connection!
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|Dimensions||47 × 30 × 30 cm|
27.03mm x 14.25mm (Super35)
PL mount included. Interchangeable with optional EF and F lens mounts.
12pin broadcast connector for compatible lenses and electronic control via EF mount pins on optional EF lens mount.
12,288 x 6480 (12K DCI)
11,520 x 6480 (12K 16:9)
12,288 x 5112 (12K 2.4:1)
7680 x 6408 (12K Anamorphic)
8192 x 4320 (8K DCI)
7680 x 4320 (8K 16:9)
8192 x 3408 (8K 2.4:1)
5120 x 4272 (8K Anamorphic)
6144 x 3240 (6K Super16)
4096 x 2160 (4K Super16)
4096 x 2160 (4K DCI)
3840 x 2160 (4K 16:9)
4096 x 1704 (4K 2.4:1)
2560 x 2136 (4K Anamorphic)
Maximum sensor frame rate dependent on resolution selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported.
12K 17:9 full sensor up to 60 fps
8K DCI full sensor up to 110 fps
4K DCI full sensor up to 110 fps
8K 2.4:1 and 4K 2.4:1 up to 140 fps
6K Super 16 up to 120 fps
4K Super 16 up to 220 fps
Four position ND filter wheel with clear, 2-stop, 4-stop and 6-stop IR ND filters.
Focus button turns on peaking, auto focus available using compatible lenses.
Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video mode.
LCD capacitive touchscreen.
Automatically populated lens data from i/Technology with compatible PL lenses and electronic EF lenses when using optional EF lens mount. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.
Touchscreen menus on 4 inch screen. Push buttons for other controls. 3 assignable shortcut keys.
Highly accurate timecode clock. Less than 1 frame drift every 8 hours.
1 x 12G-SDI
1 x 12G-SDI, 1 x 3G-SDI Monitoring.
1.5G, 3G, 6G, 12G.
2 x XLR analog switchable between mic, line and AES audio. Phantom power support.
1 x 3.5mm headphone jack, supports iPhone microphone for talkback.
1 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses.
1 x USB Type-C 3.1 Gen 2 with power delivery for external drive recording.
1 x USB Type-C for software updates.
Integrated stereo microphone.
1 x mono speaker.
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94, 1080i60
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
SMPTE 292M, SMPTE 424 Level B, SMPTE 2081-1, SMPTE 2082-1
48 kHz and 24 bit
2 x CFast 2.0 card slots, 2 x SD UHS-II card slots, 1 x USB-C 3.1 Gen 2 expansion port with power delivery for recording to external media.
Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems.
Blackmagic RAW Constant Bitrate 5:1,
Blackmagic RAW Constant Bitrate 8:1,
Blackmagic RAW Constant Bitrate 12:1,
Blackmagic RAW Constant Bitrate 18:1,
Blackmagic RAW Constant Quality Q0,
Blackmagic RAW Constant Quality Q1,
Blackmagic RAW Constant Quality Q3,
Blackmagic RAW Constant Quality Q5.
Blackmagic SDI Camera Control Protocol, iPad control, Bluetooth control, 1 x 2.5mm LANC for lens and record control.
SDI Channels 15/16 and iPhone headset.
Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder.
2 x CFast 2.0
2 x SD UHS-II cards
1 x high speed USB-C expansion port for external media.
Storage rates based on 24 frames per second.
12K – 12,288 x 6480
Blackmagic RAW 5:1 – 578 MB/s
Blackmagic RAW 8:1 – 361 MB/s
Blackmagic RAW 12:1 – 241 MB/s
Blackmagic RAW 18:1 – 160 MB/s
Blackmagic RAW Q0 – 241 to 578 MB/s 1
Blackmagic RAW Q1 – 144 to 361 MB/s 2
Blackmagic RAW Q3 – 96 to 241 MB/s 3
Blackmagic RAW Q5 – 72 to 180 MB/s 4
8K – 8192 x 4320
Blackmagic RAW 5:1 – 258 MB/s
Blackmagic RAW 8:1 – 161 MB/s
Blackmagic RAW 12:1 – 107 MB/s
Blackmagic RAW 18:1 – 72 MB/s
Blackmagic RAW Q0 – 107 to 258 MB/s 1
Blackmagic RAW Q1 – 64 to 161 MB/s 2
Blackmagic RAW Q3 – 43 to 107 MB/s 3
Blackmagic RAW Q5 – 32 to 81 MB/s 4
6K – 6144 x 3240
Blackmagic RAW 5:1 – 145 MB/s
Blackmagic RAW 8:1 – 91 MB/s
Blackmagic RAW 12:1 – 61 MB/s
Blackmagic RAW 18:1 – 40 MB/s
Blackmagic RAW Q0 – 61 to 145 MB/s 1
Blackmagic RAW Q1 – 36 to 91 MB/s 2
Blackmagic RAW Q3 – 24 to 61 MB/s 3
Blackmagic RAW Q5 – 18 to 45 MB/s 4
4K – 4096 x 2160
Blackmagic RAW 5:1 – 65 MB/s
Blackmagic RAW 8:1 – 41 MB/s
Blackmagic RAW 12:1 – 27 MB/s
Blackmagic RAW 18:1 – 18 MB/s
Blackmagic RAW Q0 – 27 to 65 MB/s 1
Blackmagic RAW Q1 – 16 to 41 MB/s 2
Blackmagic RAW Q3 – 11 to 27 MB/s 3
Blackmagic RAW Q5 – 8 to 20 MB/s 4
Blackmagic RAW Q0, Q1, Q3, Q5, 5:1, 8:1, 12:1 and 18:1 at 12,288 x 6480, 11,520 x 6480, 12,288 x 5112, 7680 x 6408, 8192 x 4320, 7680 x 4320, 8192 x 3408, 5120 x 4272, 6144 x 3240, 4096 x 2160, 3840 x 2160, 4096 x 1704 and 2560 x 2136 stored as 12 bit non-linear with film, extended video, video or custom 3D LUT embedded in metadata.
1 Constant Quality setting Q0 storage rates quoted are indicative only, based on a 5:1 – 12:1 compression range.
2 Constant Quality setting Q1 storage rates quoted are indicative only, based on a 8:1 – 20:1 compression range.
3 Constant Quality setting Q3 storage rates quoted are indicative only, based on a 12:1 – 30:1 compression range.
4 Constant Quality setting Q5 storage rates quoted are indicative only, based on a 16:1 – 40:1 compression range.
Actual storage rates are entirely dependent on image subject matter.
URSA Mini Operating System
DaVinci Resolve Studio for Mac and Windows including activation key
Blackmagic Camera Setup
Blackmagic RAW Player
Blackmagic RAW QuickLook Plugin
Blackmagic RAW SDK
Blackmagic RAW Speed Test
1 x External 12V power supply. 12 pin Molex connector for rear battery plate.
1 x 4 pin XLR port for external power or battery use.
1 x 12 pin Molex connector on rear battery plate.
Custom V-mount battery plate with D-tap +12V regulated output from camera.
Rear camera mount compatible with industry standard V-mount or gold mount battery plates.
URSA Mini Pro PL, EF and F Mounts
URSA Mini Pro Shim Kit
URSA Mini Shoulder Kit including top handle and extender arm
URSA Studio Viewfinder
URSA Mini Recorder
URSA VLock Battery Plate
URSA Gold Battery Plate
URSA Mini Mic Mount
URSA Mini Top Handle
Blackmagic Camera Fiber Converter
0° to 40°C (32° to 104°F)
-20° to 45°C (-4° to 113°F)
Shoulder Pad for ENG/Doc-Style Shooting
VCT Wedge Compatible Quick-Release
15mm LWS Rod Clamps
Accessory Rosettes on Both Sides
Blackmagic Shoulder-Mount for URSA Mini
For ENG and documentary-style shooting, the Shoulder-Mount Kit designed for the Blackmagic Design URSA Mini provides a shoulder mount for you to comfortably rest the camera on your shoulder for long shooting sessions. Integrated into the shoulder mount are a quick-release compatible with VCT wedge plates, 15mm lightweight rod clamps, and rosettes on either side for mounting handles and other accessories. Also included in the kit is a top handle for low-mode shooting and for carrying the camera when not in use.
Playback Aspect of Capture/Playback Card
Outputs Footage from Computer to Monitor
Enables Color Grading on Top-Res Monitor
SDI, HDMI, Thunderbolt / Embedded Audio
Blackmagic UltraStudio Mini Monitor
The Blackmagic Design UltraStudio Mini Monitor Playback Device is a very interesting and a highly useful device that Blackmagic has put out there. It is the “playback” aspect of any Blackmagic capture and playback device (and of any capture and playback device in general).
Where a capture and playback device, such as the UltraStudio 3D or the Intensity Extreme, captures video from a camera, transfers it to a computer, and additionally lets you output the video to a display other than that of your computer’s, UltraStudio Mini Monitor only performs the last of these functions, also referred to as “playback.” The point of outputting to a separate display is to output to a top-resolution display, the kind that your computer’s display likely isn’t, the kind that’ll give you the best representation of your footage, the kind that’ll let you get as precise as possible in color-grading, perhaps the kind that has features like Waveform. Mini Monitor connects to your computer by Thunderbolt and outputs to a monitor by either HDMI or SDI. (You’ll need a Thunderbolt-equipped computer, such as any Mac.)
So, if you want to color grade on a top-resolution monitor, and you don’t need the other characteristics of a capture and playback device, then UltraStudio Mini Monitor is all you need and it comes at a small portion of the cost of an average capture and playback device (also known as an I/O device).
(If you’ll need the “capture” aspect instead, please check out the UltraStudio Mini Recorder).
Warranty doesn’t cover misuse and goods must be returned within 14 days with the same package and accessories as delivered.