Effective Sensor Size
27.03mm x 14.25mm (Super35)
Out of stock
12K Super 35 HDR CMOS Sensor
12K 17:9 up to 60 fps, DCI 8K to 100 fps
14 Stops of Dynamic Range
User-Changeable PL Lens Mount
Blackmagic Design URSA Mini Pro 12K
The URSA Mini Pro 12K from Blackmagic Design is a revolution in digital film with a 12,288 x 6480 12K Super 35 sensor and 14 stops of dynamic range. The third generation URSA Mini Pro features new color science and shoots 80 megapixels per frame in Blackmagic RAW. You also get built in ND filters, user changeable lens mount and recording to dual CFast or SD cards. URSA Mini Pro 12K even supports recording direct to a flash disk or SSD using its built in SuperSpeed USB‑C connection!
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|Dimensions||47 × 30 × 30 cm|
27.03mm x 14.25mm (Super35)
PL mount included. Interchangeable with optional EF and F lens mounts.
12pin broadcast connector for compatible lenses and electronic control via EF mount pins on optional EF lens mount.
12,288 x 6480 (12K DCI)
11,520 x 6480 (12K 16:9)
12,288 x 5112 (12K 2.4:1)
7680 x 6408 (12K Anamorphic)
8192 x 4320 (8K DCI)
7680 x 4320 (8K 16:9)
8192 x 3408 (8K 2.4:1)
5120 x 4272 (8K Anamorphic)
6144 x 3240 (6K Super16)
4096 x 2160 (4K Super16)
4096 x 2160 (4K DCI)
3840 x 2160 (4K 16:9)
4096 x 1704 (4K 2.4:1)
2560 x 2136 (4K Anamorphic)
Maximum sensor frame rate dependent on resolution selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported.
12K 17:9 full sensor up to 60 fps
8K DCI full sensor up to 110 fps
4K DCI full sensor up to 110 fps
8K 2.4:1 and 4K 2.4:1 up to 140 fps
6K Super 16 up to 120 fps
4K Super 16 up to 220 fps
Four position ND filter wheel with clear, 2-stop, 4-stop and 6-stop IR ND filters.
Focus button turns on peaking, auto focus available using compatible lenses.
Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video mode.
LCD capacitive touchscreen.
Automatically populated lens data from i/Technology with compatible PL lenses and electronic EF lenses when using optional EF lens mount. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.
Touchscreen menus on 4 inch screen. Push buttons for other controls. 3 assignable shortcut keys.
Highly accurate timecode clock. Less than 1 frame drift every 8 hours.
1 x 12G-SDI
1 x 12G-SDI, 1 x 3G-SDI Monitoring.
1.5G, 3G, 6G, 12G.
2 x XLR analog switchable between mic, line and AES audio. Phantom power support.
1 x 3.5mm headphone jack, supports iPhone microphone for talkback.
1 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses.
1 x USB Type-C 3.1 Gen 2 with power delivery for external drive recording.
1 x USB Type-C for software updates.
Integrated stereo microphone.
1 x mono speaker.
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94, 1080i60
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
SMPTE 292M, SMPTE 424 Level B, SMPTE 2081-1, SMPTE 2082-1
48 kHz and 24 bit
2 x CFast 2.0 card slots, 2 x SD UHS-II card slots, 1 x USB-C 3.1 Gen 2 expansion port with power delivery for recording to external media.
Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems.
Blackmagic RAW Constant Bitrate 5:1,
Blackmagic RAW Constant Bitrate 8:1,
Blackmagic RAW Constant Bitrate 12:1,
Blackmagic RAW Constant Bitrate 18:1,
Blackmagic RAW Constant Quality Q0,
Blackmagic RAW Constant Quality Q1,
Blackmagic RAW Constant Quality Q3,
Blackmagic RAW Constant Quality Q5.
Blackmagic SDI Camera Control Protocol, iPad control, Bluetooth control, 1 x 2.5mm LANC for lens and record control.
SDI Channels 15/16 and iPhone headset.
Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder.
2 x CFast 2.0
2 x SD UHS-II cards
1 x high speed USB-C expansion port for external media.
Storage rates based on 24 frames per second.
12K – 12,288 x 6480
Blackmagic RAW 5:1 – 578 MB/s
Blackmagic RAW 8:1 – 361 MB/s
Blackmagic RAW 12:1 – 241 MB/s
Blackmagic RAW 18:1 – 160 MB/s
Blackmagic RAW Q0 – 241 to 578 MB/s 1
Blackmagic RAW Q1 – 144 to 361 MB/s 2
Blackmagic RAW Q3 – 96 to 241 MB/s 3
Blackmagic RAW Q5 – 72 to 180 MB/s 4
8K – 8192 x 4320
Blackmagic RAW 5:1 – 258 MB/s
Blackmagic RAW 8:1 – 161 MB/s
Blackmagic RAW 12:1 – 107 MB/s
Blackmagic RAW 18:1 – 72 MB/s
Blackmagic RAW Q0 – 107 to 258 MB/s 1
Blackmagic RAW Q1 – 64 to 161 MB/s 2
Blackmagic RAW Q3 – 43 to 107 MB/s 3
Blackmagic RAW Q5 – 32 to 81 MB/s 4
6K – 6144 x 3240
Blackmagic RAW 5:1 – 145 MB/s
Blackmagic RAW 8:1 – 91 MB/s
Blackmagic RAW 12:1 – 61 MB/s
Blackmagic RAW 18:1 – 40 MB/s
Blackmagic RAW Q0 – 61 to 145 MB/s 1
Blackmagic RAW Q1 – 36 to 91 MB/s 2
Blackmagic RAW Q3 – 24 to 61 MB/s 3
Blackmagic RAW Q5 – 18 to 45 MB/s 4
4K – 4096 x 2160
Blackmagic RAW 5:1 – 65 MB/s
Blackmagic RAW 8:1 – 41 MB/s
Blackmagic RAW 12:1 – 27 MB/s
Blackmagic RAW 18:1 – 18 MB/s
Blackmagic RAW Q0 – 27 to 65 MB/s 1
Blackmagic RAW Q1 – 16 to 41 MB/s 2
Blackmagic RAW Q3 – 11 to 27 MB/s 3
Blackmagic RAW Q5 – 8 to 20 MB/s 4
Blackmagic RAW Q0, Q1, Q3, Q5, 5:1, 8:1, 12:1 and 18:1 at 12,288 x 6480, 11,520 x 6480, 12,288 x 5112, 7680 x 6408, 8192 x 4320, 7680 x 4320, 8192 x 3408, 5120 x 4272, 6144 x 3240, 4096 x 2160, 3840 x 2160, 4096 x 1704 and 2560 x 2136 stored as 12 bit non-linear with film, extended video, video or custom 3D LUT embedded in metadata.
1 Constant Quality setting Q0 storage rates quoted are indicative only, based on a 5:1 – 12:1 compression range.
2 Constant Quality setting Q1 storage rates quoted are indicative only, based on a 8:1 – 20:1 compression range.
3 Constant Quality setting Q3 storage rates quoted are indicative only, based on a 12:1 – 30:1 compression range.
4 Constant Quality setting Q5 storage rates quoted are indicative only, based on a 16:1 – 40:1 compression range.
Actual storage rates are entirely dependent on image subject matter.
URSA Mini Operating System
DaVinci Resolve Studio for Mac and Windows including activation key
Blackmagic Camera Setup
Blackmagic RAW Player
Blackmagic RAW QuickLook Plugin
Blackmagic RAW SDK
Blackmagic RAW Speed Test
1 x External 12V power supply. 12 pin Molex connector for rear battery plate.
1 x 4 pin XLR port for external power or battery use.
1 x 12 pin Molex connector on rear battery plate.
Custom V-mount battery plate with D-tap +12V regulated output from camera.
Rear camera mount compatible with industry standard V-mount or gold mount battery plates.
URSA Mini Pro PL, EF and F Mounts
URSA Mini Pro Shim Kit
URSA Mini Shoulder Kit including top handle and extender arm
URSA Studio Viewfinder
URSA Mini Recorder
URSA VLock Battery Plate
URSA Gold Battery Plate
URSA Mini Mic Mount
URSA Mini Top Handle
Blackmagic Camera Fiber Converter
0° to 40°C (32° to 104°F)
-20° to 45°C (-4° to 113°F)
The GP-120QD features a 116 cm sliding distance and supports camera loads up to 11 lb. There is also a center track that allows the carriage to perform angled slides, 120° panorama shots, and even parallax tracking shots. A battery-powered USB remote controller is included and provides configuration for the adjustable carriage motor. You can set slider speed, automated interval presets, and time-lapse functions. You can also control the camera shutter to match the moves of the slider with the included six-cable set.
The carriage features 1/4″-20 and 3/8″-16 tripod threads to mount the slider in the center, or you can set it on a surface with the folding feet. A 1/4″-20 screw allows you to mount your camera on top of the carriage, and a 3/8″-16 bushing allows you to mount a wide variety of cameras. Also included with the slider are a ball head, a battery, a battery charger, a shutter extension cable, a USB remote control cable, and a carry bag.
This is an Avenger A2020 30″ C-Stand Column. It is constructed of chrome-plated steel, and is designed to fit into an Avenger C-Stand turtle base. Its main section is 30″ long. When the 2 risers are extended, it is 6.75′ (2.0 m) long.
Employing the widely-compatible Bowens S-Type mount, the glass Fresnel Lens for Forza 300 and 500 from NanLite modifies the Forza’s wide beam spread to a focusable spot (10°) to flood (45°) coverage. The lens includes metal 4-way barndoors to further control the light beam.
The D-Tap Male to Female 1:4 Cable Splitter Hub from LanParte allows you to power up to four D-Tap plug accessories. Provide power to your LED light, LCD monitor, EVF, and SDI adapter from a single Gold or V-Mount camera battery.