This is a Basic Light Stand that extends to a height of (2.0 m). It is designed to accommodate small light fixtures, reflective panels, or small boom arms.
EGP220.00 EGP250.00
| Weight | 1.8 kg |
|---|---|
| Dimensions | 94 × 9.5 × 9.5 cm |
| Load Capacity | 11 lb / 5 kg |
| Mounting Options | 3/8″-16 Male Thread 5/8″ Stud |
| Maximum Working Height | 9′ / 2.7 m |
| Minimum Working Height | 39″ / 99 cm |
| Collapsed Height | 34″ / 86 cm |
| Footprint Diameter | 42″ / 106.7 cm |
| Accepts Wheels | No |
| Air Cushioned | No |
| Detachable Base | No |
| Leveling Leg | No |
| Reverse Legs | No |
| Finish | Black |
| Weight | 3.0 lb / 1.4 kg |
| Package Weight | 3.8 lb |
| Box Dimensions (LxWxH) | 37 x 3.75 x 3.75″ |
An ultra-wide zoom characterized by a bright and advanced optical design, the XF 8-16mm f/2.8 R LM WR from FUJIFILM is a 12-24mm-equivalent lens featuring a constant f/2.8 maximum aperture for consistent performance throughout the zoom range. The optical layout comprises six extra-low dispersion elements, including three Super ED elements, which help to virtually eliminate chromatic aberrations and color fringing for greater clarity and color accuracy. Four aspherical elements are also used to suppress distortion, curvature of field, and spherical aberrations for improved sharpness. Also, a Nano-GI coating helps to control ghosting and flare for enhanced contrast and color fidelity when working in strong lighting conditions. Complementing the optics is a refined linear motor, which affords quick and quiet autofocus performance, and the lens body is weather-sealed in 11 distinct places to support working in trying environmental conditions.
The NiSi 100 x 100mm Nano IRND 3.0 Filter is an ND filter with a 1,000x filter factor that provides a 10-stop exposure reduction. Its 3.0 density creates a darkening of the entire image, allowing you to photograph with a wider aperture or slower shutter speed than normally required. By slowing your exposure time or increasing your aperture, you are able to control depth of field and convey movement more easily. Neutral density filters are intended to not affect the coloration of the image and are ideal for pairing with other filters.
The design of this filter has been optimized for use with digital sensors and to promote nearly flat attenuation of visible and infrared light. Due to imaging sensors’ greater susceptibility to infrared light, compared to traditional film, color casts can occur when photographing darker subjects that require increased exposure times. To provide a high level of neutrality across the visible and infrared spectrums in order to eliminate color casts and ensure cleaner, truer blacks when using the NiSi 100 x 100mm Nano IRND 3.0 Filter, one layer of NiSi Optical Nano Coating is applied to each of this filter’s surfaces. The Nano coating associated with this filter also results in an improved beading effect when in contact with water or oil for greater cleaning efficiency.
Flexibility is key to the Nanlite PavoTube 6C 10″ RGBWW LED Tube with Battery’s design. The light has color temperature that’s variable from 2700 to 6500K to blend in seamlessly with ambient light conditions, match other fixtures, or express creative effects. It also has an RGB mode that enables its red, green, and blue LEDs to select from 360 colors with hue control that produces myriad color combinations. Light intensity is variable as well, from 0 to 100%. The PavoTube has a built-in rechargeable battery that will give you 65 minutes of run time on a full charge at 100% power. It also has special effects including Hue Loop, CCT Loop, Int Loop, CCT Flash, Hue Flash, CCT Pulse, Hue Pulse, Storm, Police Car, TV, Paparazzi, Fire, Disco, Bad Bulb, Fireworks, Explosion, and Welding. The light is ready for worldwide use and charges via the included USB cable and comes with a set of metal mounting plates and a padded carrying bag.
YN308 video light is a brand new type of LED video light specially designed for live videos and selfies. YN308 video light adopts an extra-large, annular and frameless design. It is equipped with a special softlight panel, the uniformity and softness of which promotes improved, unshadowed fill-lighting while achieving perfect catchlight effects. Dual power support meets all kinds of shooting requirements.
YN308 adopts YONGNUO’s proprietary LED driving technology which ensures a stable and bright light output. A specially designed handgrip lends the light a solid and practical feel. A carrying bag in included for your convenience and for portable outdoor shooting.
60pcs ultra bright long-life LEDs
Surface mounted LED technology
120°(half-declined 68°) wide beam angle
3200K-5600K continuously adjustable
12W power, 300Lux @ 1 meter center
10%-100% flick-free dimming
Super high CRI Ra≥93, TLCI≥97
Interchangeable various DV battery plates
Support DC 6-17V input from D-tap
Provide ball head, diffuser, and bag
SWIT S-2240 On-Camera LED Light
Area light, soft and glare-less
S-2240 is an on-camera LED news light, with surface mounted LED technology, includes 60pcs ultra bright SMD LEDs, suitable for wide area on-camera lighting. The provided diffuser cover generates an equally spread, glare-less area light for close interview and professional film lighting.
LED 120°; Half-declined at 68°
The SMD LED of S-2240 has 120° wide beam angle, and generates an equally spread, wider area light comparing to traditional DIP LED bulbs.
Take center illuminate as 100% brightness, when declined to 50% at the edge, the “half-declined” beam angle can still reach to 68°, which means the light is equally spread onto the whole environment, instead of just concentrated at center.
3200K-5600K continuously adjustable
Every SMD LED of S-2240 is packaged with 5600K and 3200K LEDs, and the output color temperature can be continuously adjustable between 3200K and 5600K. The bi-color SMD LED is more reliable and has better consistency on color temperature.
This is an Avenger A2009 Turtle Base for C-Stand It is constructed of chrome-plated steel and is designed to fit optional column risers of various sizes. Its legs are designed to collapse flat for easy storage and transport. It may be used on its own as a very low stand with the addition of an optional stud adapter, such as the E200.
The Avenger A4050CS 5.0 m Steel Boom Stand 50 is a heavy duty, chrome-plated steel support that can be used traditionally as a light stand, or converted to a boom via a pivot in the first riser. The A4050CS also features a leveling leg for rough or uneven terrain. An optional counterweight is strongly recommended when using the stand in boom mode.
153 ultra-bright, bi-color, surface-mounted LEDs
Wide beam angle of 120° (half-declined at 68°)
3200 to 5600K continuously adjustable color temperature
Up to 20W power, 640 lux at 3.3′ center
10 to 100% adjustable dimmer
CRI (Color Rendering Index) of 92 and TLCI (Television Lighting Consistency Index) of 97
Includes a snap-on Sony NP-F type battery plate for Sony NP-F970/F770 and SWIT S-8972, S-8970, and S-8770 batteries
Accepts 6 to 17 VDC input via D-Tap
Includes a magnetic diffuser cover
Includes a ball head with 1/4″-20 screw and cold-shoe mount
SWIT S-2241 On-Camera LED Light
The S-2241 Bi-Color On-Camera LED Light with Sony NP-F battery mount from SWIT features 153 ultra-bright, surface-mounted LEDs. It comes with a polycarbonate diffuser that attaches on the front of the light fixture via magnets. The diffuser helps generate an equally spread, glareless light for close interview and professional film lighting. This LED light offers a 120° wide beam angle with a half-declined beam at 68°, an illumination of 640 lux at 3.3′, and a CRI rating of 92. The light output can be adjusted from 10 to 100% with the onboard dimmer. The color temperature can also be continuously adjusted from 3200K to 5600K via the knob on the rear panel.
The LED light comes with an interchangeable, snap-on Sony NP-F type battery plate that accepts Sony NP-F970 and NP-F770 batteries, and SWIT S-8972, S-8970, and S-8770 batteries. It operates on 6 to 17 VDC wide voltage input, which can be supplied from 7.2V camera batteries. It can also accept power from D-Tap power output sockets, such as 14.4V V-mount or Gold mount batteries, battery plates, or camera handles using the included D-Tap cable. The light can be mounted on a tripod via a 1/4″-20 screw head, and can be fixed on the camera with the cold-shoe mount ball head.
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