Available on backorder
This is an Avenger A2009 Turtle Base for C-Stand It is constructed of chrome-plated steel and is designed to fit optional column risers of various sizes. Its legs are designed to collapse flat for easy storage and transport. It may be used on its own as a very low stand with the addition of an optional stud adapter, such as the E200.
EGP2,750.00 EGP2,999.00
Available on backorder
Report Abuse| Height | 10.63″ (27 cm) |
| Weight | 6.7 lb (3.0 kg) |
| Footprint Diameter | 37.4″ (94 cm) |
| Attachment Size | 1 1/8″ female receiver |
| Package Weight | 7.65 lb |
| Box Dimensions (LxWxH) | 22.8 x 11.6 x 2.6″ |
The ATEM Mini Pro retains the same rear-panel setup on which four HDMI inputs are available on the rear of the chassis and they input up to 1080p HD video. There is also an HDMI output for a projector or multiview monitoring, a USB Type-C output as for recording HD video to a computer, and an RJ45 10/100/1000 Ethernet port for direct live streaming as well as system management, remote control, and upgrades. You can adjust frame rate depending on the quality of your stream, and there is no need for additional streaming software because the Pro includes a built-in hardware encoder.
The updated ATEM Software Control Panel is used for control and configuration of the ATEM Mini Pro via USB or Ethernet, and it allows you to monitor the data rate, audio meters, configuration, and status of your live feed. The built-in color control panel has the same configuration of DaVinci Resolve, eliminating any learning curve. Advanced features include the ability for engineers to upload an XML configuration file to make it easier to change all your settings at once.
The control surface features the same easy-to-view, backlit control buttons to enable selecting camera inputs, controlling transitions, keyers, settings, and the DVE. The ATEM Mini Pro adds several buttons to the right side such as a quick record button, which allows you to instantly record your live stream to the connected USB source, or by holding it down, you can hot-swap drives when using the Blackmagic MultiDock if you need to quickly get down to editing. On Air and Stream buttons have also been added to instantly start and stop your stream once it is set up in software control. The added Video Out buttons on the right side allow you to select a program preview for each source, so you can make sure each source is ready to go for air.
The ATEM Mini Pro features the same upstream and downstream keyers, an advanced chroma keyer, two linear/luma keyers, a DVE transition keyer, a pattern generator, and color generators. There is also media player support for fill and key images, which supports up to 20 stills in PNG, TGA, BMP, JPEG, and TIFF formats.
The Tiffen #4 Viewing filter is for process photography. Balancing lighting by eye is a matter of experience. Decisions can be aided through the use of contrast viewing filters. These are designed to handicap the eye, with its much greater range of apparent densities, to resemble the range of the various types of film.
The Fast Battery Charger 4.5A for B1 500 AirTTL from Profoto will charge the B1’s Lithium-ion battery in 1 hour. The multi-voltage charger features LED indicators to easily monitor charge status.
he Manfrotto 143N Magic Arm without Camera Bracket is designed to hold a light fixture in place, in a variety of situations. It is an elbow arm, with sure locking lever control at the pivot. It will accept any light fixture up to 3 kg that has a baby (5/8″) receptor.
This 100 cm Avenger Combo Steel Stand 10 features an adjustable leveling leg which can slide out and lock to level the stand on uneven terrain such as hillsides or stairs. This short stand is capable of supporting an impressive 30 kg. It has a 5/8″ retractable top stud as well as a 1 1/8″ receiver and is constructed of chrome-plated steel and aluminum alloy.
153 ultra-bright, bi-color, surface-mounted LEDs
Wide beam angle of 120° (half-declined at 68°)
3200 to 5600K continuously adjustable color temperature
Up to 20W power, 640 lux at 3.3′ center
10 to 100% adjustable dimmer
CRI (Color Rendering Index) of 92 and TLCI (Television Lighting Consistency Index) of 97
Includes a snap-on Sony NP-F type battery plate for Sony NP-F970/F770 and SWIT S-8972, S-8970, and S-8770 batteries
Accepts 6 to 17 VDC input via D-Tap
Includes a magnetic diffuser cover
Includes a ball head with 1/4″-20 screw and cold-shoe mount
SWIT S-2241 On-Camera LED Light
The S-2241 Bi-Color On-Camera LED Light with Sony NP-F battery mount from SWIT features 153 ultra-bright, surface-mounted LEDs. It comes with a polycarbonate diffuser that attaches on the front of the light fixture via magnets. The diffuser helps generate an equally spread, glareless light for close interview and professional film lighting. This LED light offers a 120° wide beam angle with a half-declined beam at 68°, an illumination of 640 lux at 3.3′, and a CRI rating of 92. The light output can be adjusted from 10 to 100% with the onboard dimmer. The color temperature can also be continuously adjusted from 3200K to 5600K via the knob on the rear panel.
The LED light comes with an interchangeable, snap-on Sony NP-F type battery plate that accepts Sony NP-F970 and NP-F770 batteries, and SWIT S-8972, S-8970, and S-8770 batteries. It operates on 6 to 17 VDC wide voltage input, which can be supplied from 7.2V camera batteries. It can also accept power from D-Tap power output sockets, such as 14.4V V-mount or Gold mount batteries, battery plates, or camera handles using the included D-Tap cable. The light can be mounted on a tripod via a 1/4″-20 screw head, and can be fixed on the camera with the cold-shoe mount ball head.
The 4Bank 4′ Gaffer 2-Light Kit from Kino Flo is a ready-for-the-road set up that features accurate color rendition, flexible power supplies and soft, wrap-around light quality. The kit includes two 4Bank 4′ fluorescent fixtures, each with a 5/8″ Baby receiver and a multi-voltage ballast that has individual lamp switching and a High Output / Standard switch that raises or lowers the wattage to vary color and output. Just add your choice of optional True Match lamps. Two 25′ head-to-ballast cables are included. In fact, the fixture can operate up to 75′ away from the ballast with the addition of extra cables. Two lamp cases that can hold up to six 4′ lamps are provided and the kit’s wheeled, hard shipping case make it ready for location work.
The 4′ 4Bank Fixture from Kino Flo is a 4-lamp fluorescent light that outputs the equivalent of a 1,000W softlight while consuming a fraction of the traditional fixture’s electrical draw. When used with a standard or DMX ballast (purchased separately) the light has 2 or 4 lamp switching to vary the power output as well as standard and High Output settings to avoid color shifting associated with dimming. Unlike other ballasts, Kino Flo’s optional ballasts can be located up to 75′ from the head with no power loss, solving the problem of adjustments when the light is hung overhead. Optional True Match lamps that feature a high CRI of 95 are available in 3200K or 5600K color balance.
The Grip Head With Big Handle has four V-shaped jaws, an ergonomic oversized T-shaped handle with dedicated roller bearings for maximum torque, and a non-slip aluminum friction disc. This durable grip head is made of aluminum and steel and has a chrome-plated finish.
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