Available on backorder
1920 x 1080 Touchscreen Display
10-Bit FRC Monitor Processing
HDMI 2.0 and 12G-SDI Inputs/Outputs
Quad-HD Live Switching & 5-Ch recording
Atomos Sumo 19″ Monitor/Recorder/Switcher
With its large, bright color-accurate 19″ LCD screen and 4K recording capabilities, the Atomos Sumo 19″ HDR/High Brightness Monitor Recorder/Switcher can be implemented to enhance professional video workflows in both production and post-production. On set, the Sumo’s HDR capabilities enable cinematographers to realize more of a cinema camera’s dynamic range when shooting in log or raw formats.
All the built-in monitoring tools are also compatible with the HDR rendering, updating to accommodate the larger dynamic range. Additionally, the Sumo can record incoming DCI and UHD 4K video in various flavors of Apple ProRes or AVID DNxHR to Master Caddy II storage media. With supported cameras, ProRes Raw/Raw HQ recording is also possible, for more flexibility in post-production. The AtomOS 9.2 firmware update enables SDI quad-HD switching and five-channel recording, which allows you to record and switch up to four ISO channels in a resolution up to 1080p60, as well as recording the program. An Apple Final Cut formatted XML is also created when using multi-stream recording, making it easy to edit your program in post.
EGP52,675.00 EGP54,999.00
Available on backorder
Report Abuse1920 x 1080 Touchscreen Display
10-Bit FRC Monitor Processing
HDMI 2.0 and 12G-SDI Inputs/Outputs
Quad-HD Live Switching & 5-Ch recording
Atomos Sumo 19″ Monitor/Recorder/Switcher
With its large, bright color-accurate 19″ LCD screen and 4K recording capabilities, the Atomos Sumo 19″ HDR/High Brightness Monitor Recorder/Switcher can be implemented to enhance professional video workflows in both production and post-production. On set, the Sumo’s HDR capabilities enable cinematographers to realize more of a cinema camera’s dynamic range when shooting in log or raw formats.
All the built-in monitoring tools are also compatible with the HDR rendering, updating to accommodate the larger dynamic range. Additionally, the Sumo can record incoming DCI and UHD 4K video in various flavors of Apple ProRes or AVID DNxHR to Master Caddy II storage media. With supported cameras, ProRes Raw/Raw HQ recording is also possible, for more flexibility in post-production. The AtomOS 9.2 firmware update enables SDI quad-HD switching and five-channel recording, which allows you to record and switch up to four ISO channels in a resolution up to 1080p60, as well as recording the program. An Apple Final Cut formatted XML is also created when using multi-stream recording, making it easy to edit your program in post.
Get a better view of your Sumo 19″ monitor or monitor-recorder with this Anti-Glare LCD Screen Protector from Atomos. Custom designed for your Sumo, this screen protector has a matte finish to diminish reflections while protecting the touch panel from scratches. The screen protector also acts as a de-polarizer to the Sumo’s screen, allowing you to view the monitor while wearing polarized sunglasses.
Unlock the true potential of your RAW cinema camera with the Sumo19. Preserve your sensor’s pristine pixels in ProRes RAW at up to 5.7kp30, 4kp120 DCI/UHD and 2kp240 DCI/HD. CDNG supports up to 4kp30 DCI. Sumo19 is compatible with Sony FS series, Canon C300MKII/C500 or Panasonic EVA-1/Varicam LT. Record up to 4kp30 in CDNG.
Video from any camera or digital video source can be captured via SDI or HDMI. Record up to 10-bit 4:2:2 in ProRes or DNxHR codecs at 4Kp60 or 2Kp240, depending on the camera’s capability. The depth and quality of the image is preserved with data rates of up to 1.8Gbs, 220MB/s.
Use full size XLR connections with 48V Phantom power to connect two external microphones with balanced analogue audio recording and monitoring. The Sumo19 has dedicated meters, gain controls and adjustments for frame delay on each channel. Mic or line level audio can be seamlessly synchronized with embedded audio from HDMI and SDI sources.
| Weight | 8.8 kg |
|---|---|
| Dimensions | 58.42 × 38.354 × 17.78 cm |
| Panel Type | IPS-Type LCD |
| Display Size | 19.00" / 48.0 cm |
| Screen Resolution | 1920 x 1080 |
| Aspect Ratio | 16:9 |
| Touchscreen | Yes |
| Maximum Brightness | 1200 cd/m2 |
| Bit Depth / Color Support | 8-Bit+FRC (1.07 Billion Colors) |
| Real-Time LUT Monitoring | SDR |
| Video | 1 x HDMI Type A (HDMI 2.0) Output 1 x BNC (12G-SDI) Output 1 x HDMI Type A (HDMI 2.0) Input 3 x BNC (3G-SDI) Input 1 x BNC (12G-SDI) Input |
| Embedded Audio | HDMI: 8-Channel SDI: 12-Channel |
| Audio | 2 x XLR Input 1 x 3.5 mm Headphone Output |
| Built-In Speaker | None |
| Power | 1 x 4-Pin XLR Input |
| Other I/O | 1 x LANC (2.5 mm) |
| Card Slot | None |
| Video Format | SDI (8/10-Bit 4:2:2) DCI 4K: 60/50/30/25/24 UHD 4K: 60/50/30/25/24 1080p: 120/60/50/30/25/24 1080i: 60/50 720p: 60/50 HDMI (8/10-Bit 4:2:2) DCI 4K: 60/50/30/25/24 UHD 4K: 60/50/30/25/24 1080p: 120/60/50/30/25/24 1080i: 60/50 720p: 60/50 |
| Video Signal Conversion | HDMI to SDI DCI 4K: 60/50/30/25/24 UHD 4K: 60/50/30/25/24 1080p: 120/60/50/30/25/24 1080i: 60/50 720p: 60/50 SDI to HDMI DCI 4K: 60/50/30/25/24 UHD 4K: 60/50/30/25/24 1080p: 120/60/50/30/25/24 1080i: 60/50 720p: 60/50 |
| Pulldown Conversion | 2:2, 3:2 |
| Camera Trigger | SDI, HDMI |
| Encoding Formats | 4096 x 2160 ProRes Raw, Raw HQ, 422, LT, HQ at up to 60 fps DNxHR HQ, HQX, SQ, LB at up to 60 fps CinemaDNG at up to 30 fps 3840 x 2160 ProRes Raw, Raw HQ, 422, LT, HQ at up to 60 fps DNxHR HQ, HQX, SQ, LB at up to 60 fps CinemaDNG at up to 30 fps 2048 x 1080 ProRes Raw, Raw HQ, 422, LT, HQ at up to 240 fps DNxHR HQ, HQX, SQ, LB at up to 240 fps CinemaDNG at up to 120 fps 1920 x 1080 ProRes Raw, Raw HQ, 422, LT, HQ at up to 240 fps DNxHR HQ, HQX, SQ, LB at up to 240 fps 1280 x 720 ProRes Raw, Raw HQ, 422, LT, HQ at up to 60 fps DNxHR HQ, HQX, SQ, LB at up to 60 fps 5720 x 3016 ProRes Raw, Raw HQ at up to 30 fps |
| Recording Media | 1 x 2.5" SSD (SATA III) |
| Phantom Power | +48 V |
| DC Input Power | 14.4 VDC |
| Battery Type | None |
| Power Consumption | 75 W |
| Mounting | 10 x 1/4"-20 Female 5 x 3/8"-16 Female |
| Dimensions (W x H x D) | 19.8 x 12.2 x 2.5" / 50.4 x 31 x 6.3 cm 19.8 x 13 x 7.1" / 50.4 x 33 x 18 cm, Including Stand |
| Weight | 12.3 lb / 5.6 kg 13.7 lb / 6.2 kg, Including Stand |
| Package Weight | 19.35 lb |
| Box Dimensions (LxWxH) | 23 x 15.1 x 7" |
S-3812S can charge 2 V-mount batteries simultaneously at Max 6A fast charging current, to SWIT particular batteries. The charging speed is quite faster than normal chargers.
S-3812S has an LCD screen to display the real time. S-3812S has the 3-color LED indicators for both 2 channels.
The Tiffen 6.6 x 6.6″ 1 Chocolate Solid Color Filter adds a mellow, neutral brown coloration across the entire image and adds some warmth to balance overly cool tones. The solid color design makes this filter well-suited to pairing with other filters for further control over the appearance of imagery. The 1 color density provides less chocolate coloration than the 2 density filter.
This filter is made using ColorCore technology, a process that involves laminating the filter substrate between 2 pieces of optical glass and grinding flat to a tolerance of 1/10,000th of an inch. It measures 6.6 x 6.6″ / 167.6 x 167.6mm.
The D-Tap to DC Barrel Coiled Cable from Atomos is a power cable for the Eliminator battery and most recorders.
Get a better view of your Flame 7″ monitor or monitor-recorder with this Anti-Glare LCD Screen Protector from Atomos. Custom designed for your Sumo, this screen protector has a matte finish to diminish reflections while protecting the touch panel from scratches. The screen protector also acts as a de-polarizer to the Sumo’s screen, allowing you to view the monitor while wearing polarized sunglasses.
The Atomos Shogun Flame is a 18 cm, 1920 x 1200 on-camera recording monitor that combines 4K recording with a 10-bit FRC panel that supports native display of HDR (log) footage as well as high brightness viewing of Rec. 709 footage. It utilizes 4K HDMI and 12G-SDI inputs to support clean output signals at resolutions up to UHD 4K (3840 x 2160), recording it to 2.5″ SSDs using 10-bit, 4:2:2 Apple ProRes and Avid DNxHR codecs. It even supports DCI 4K (4096 x 2160) raw video streams over SDI from select Sony and Canon cameras, encoding it as ProRes/DNxHR files.
The monitor features 10-bit FRC processing and AtomHDR display technology supporting a 10-stop brightness range, allowing you to more accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The monitor offers built-in pre-sets to accurately translate popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The settings only affect viewing, with recorded video remained unaltered.
In addition to HDR monitoring, the monitor also offers a High-Bright mode for traditional Rec. 709 monitoring. This mode takes advantage of the full 1500 cd/m² brightness to allow for more confident monitoring in bright outdoor environments, even without a sun hood. In HDR mode, use of an included snap-on sun hood is required, as displaying a wider brightness range reduces the overall brightness of the monitor.
Built to withstand the rigors of production, the Shogun Flame features built-in protective armor that features silicone-covered corners and chamfered edges. Compared to the original Shogun, the Flame now features dual Sony L-Series battery plates that support battery hot-swapping, enabling longer run times. For audio recording, the monitor supports balanced XLR inputs with +48V Phantom Power via an included audio breakout cable. Additional features included Genlock / LTC input, SDI/HDMI cross-conversion, and a variety of onscreen exposure analysis, framing, and focus assist tools. An AC adapter is included, as is a Master Caddy II 7 cm drive enclosure. For protection during storage and transport, a zippered travel case is also included.
SD/HD/3G/6G-SDI Input
HDMI Input
PCI-Express 2.0 x4 Interface
DCI 4K, UHD, HD, and SD Video Support
Blackmagic Design Declink 4k Recorder
Record SD, HD, or 4K footage via HDMI or SDI with the Blackmagic Design DeckLink Mini Recorder 4K. Whether recording for broadcast or backing up older media to newer, more robust formats for current projects, the Decklink Mini Recorder 4K has you covered. The input panel holds a single SD/HD/3G/6G-SDI input and an HDMI 2.0 input, both capable of DCI and UHD 4K resolutions.
Consumer and professional video codecs are supported, including H.264, Apple ProRes, AVC-Intra, and more, allowing full-resolution input of nearly any project. Wide software support including Blackmagic Design’s own DaVinci Resolve and Fusion in addition to other popular platforms such as Apple’s Final Cut Pro X, Avid’s Media Composer, and Adobe’s Premiere and After Effects CC, allows for the same hardware to be used with changing workflows over time.
The card itself requires an open PCI-Express slot conforming to at least PCI-E 2.0 x4 specifications. PCI-E x8 and x16 slots in 2.0 and 3.0 variants can also be used. A full-height bracket comes pre-installed, and a low-profile bracket is included for installation in a small form-factor PC or an external chassis.
1920 x 1080 Touchscreen Display
10-Bit Exterior Viewable Monitor
4K HDMI Input
1000 cd/m² Brightness
Atomos Ninja V
The Atomos Ninja V 5″ 4K HDMI Recording Monitor is a 5″ on-camera monitor/recorder that records and plays back DCI 4K, UHD 4K, and HD video from purpose-built mini-SSDs. It features a 10-bit FRC IPS screen with a brightness of 1000 cd/m², which makes it suitable for use in both exterior and interior conditions. The AtomHDR display technology allows you to accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The monitor supports popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The settings only affect viewing, with recorded video remaining unaltered.
Built to withstand the rigors of production, the Ninja V features an aluminum chassis and powers from a single L-series battery. Additional features include a variety of onscreen exposure analysis, framing, and focus assist tools, as well as anamorphic de-squeeze. An SSD Caddy, power supply, and dummy battery are included with the unit.
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