Atomos Sumo 19″ HDR/High Brightness Monitor Recorder/Switcher
1920 x 1080 Touchscreen Display
10-Bit FRC Monitor Processing
HDMI 2.0 and 12G-SDI Inputs/Outputs
Quad-HD Live Switching & 5-Ch recording
Atomos Sumo 19″ Monitor/Recorder/Switcher
With its large, bright color-accurate 19″ LCD screen and 4K recording capabilities, the Atomos Sumo 19″ HDR/High Brightness Monitor Recorder/Switcher can be implemented to enhance professional video workflows in both production and post-production. On set, the Sumo’s HDR capabilities enable cinematographers to realize more of a cinema camera’s dynamic range when shooting in log or raw formats.
All the built-in monitoring tools are also compatible with the HDR rendering, updating to accommodate the larger dynamic range. Additionally, the Sumo can record incoming DCI and UHD 4K video in various flavors of Apple ProRes or AVID DNxHR to Master Caddy II storage media. With supported cameras, ProRes Raw/Raw HQ recording is also possible, for more flexibility in post-production. The AtomOS 9.2 firmware update enables SDI quad-HD switching and five-channel recording, which allows you to record and switch up to four ISO channels in a resolution up to 1080p60, as well as recording the program. An Apple Final Cut formatted XML is also created when using multi-stream recording, making it easy to edit your program in post.
EGP52,675.00 EGP54,999.00
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Recording Monitors
Atomos Sumo 19″ HDR/High Brightness Monitor Recorder/Switcher
1920 x 1080 Touchscreen Display
10-Bit FRC Monitor Processing
HDMI 2.0 and 12G-SDI Inputs/Outputs
Quad-HD Live Switching & 5-Ch recordingAtomos Sumo 19″ Monitor/Recorder/Switcher
With its large, bright color-accurate 19″ LCD screen and 4K recording capabilities, the Atomos Sumo 19″ HDR/High Brightness Monitor Recorder/Switcher can be implemented to enhance professional video workflows in both production and post-production. On set, the Sumo’s HDR capabilities enable cinematographers to realize more of a cinema camera’s dynamic range when shooting in log or raw formats.All the built-in monitoring tools are also compatible with the HDR rendering, updating to accommodate the larger dynamic range. Additionally, the Sumo can record incoming DCI and UHD 4K video in various flavors of Apple ProRes or AVID DNxHR to Master Caddy II storage media. With supported cameras, ProRes Raw/Raw HQ recording is also possible, for more flexibility in post-production. The AtomOS 9.2 firmware update enables SDI quad-HD switching and five-channel recording, which allows you to record and switch up to four ISO channels in a resolution up to 1080p60, as well as recording the program. An Apple Final Cut formatted XML is also created when using multi-stream recording, making it easy to edit your program in post.
SKU: ATOMSUMO19 -
Screen Protectors
Atomos Anti-Glare LCD Screen Protector for Sumo 19″ Monitor
- For Sumo 19″ Monitor / Monitor Recorder
- Matte Finish
- Reduces Reflections
Atomos Sumo 19″ Screen Protector
Get a better view of your Sumo 19″ monitor or monitor-recorder with this Anti-Glare LCD Screen Protector from Atomos. Custom designed for your Sumo, this screen protector has a matte finish to diminish reflections while protecting the touch panel from scratches. The screen protector also acts as a de-polarizer to the Sumo’s screen, allowing you to view the monitor while wearing polarized sunglasses.
SKU: ATOMLCDP02
Unlock the true potential of your RAW cinema camera with the Sumo19. Preserve your sensor’s pristine pixels in ProRes RAW at up to 5.7kp30, 4kp120 DCI/UHD and 2kp240 DCI/HD. CDNG supports up to 4kp30 DCI. Sumo19 is compatible with Sony FS series, Canon C300MKII/C500 or Panasonic EVA-1/Varicam LT. Record up to 4kp30 in CDNG.
10-bit ProRes/DNxHR up to 4Kp60
Video from any camera or digital video source can be captured via SDI or HDMI. Record up to 10-bit 4:2:2 in ProRes or DNxHR codecs at 4Kp60 or 2Kp240, depending on the camera’s capability. The depth and quality of the image is preserved with data rates of up to 1.8Gbs, 220MB/s.
Two stereo balanced XLR inputs with 48V
Use full size XLR connections with 48V Phantom power to connect two external microphones with balanced analogue audio recording and monitoring. The Sumo19 has dedicated meters, gain controls and adjustments for frame delay on each channel. Mic or line level audio can be seamlessly synchronized with embedded audio from HDMI and SDI sources.
| Weight | 8.8 kg |
|---|---|
| Dimensions | 58.42 × 38.354 × 17.78 cm |
Atomos SUMO19 Specs
Display
| Panel Type | IPS-Type LCD |
| Display Size | 19.00" / 48.0 cm |
| Screen Resolution | 1920 x 1080 |
| Aspect Ratio | 16:9 |
| Touchscreen | Yes |
| Maximum Brightness | 1200 cd/m2 |
| Bit Depth / Color Support | 8-Bit+FRC (1.07 Billion Colors) |
| Real-Time LUT Monitoring | SDR |
I/O
| Video | 1 x HDMI Type A (HDMI 2.0) Output 1 x BNC (12G-SDI) Output 1 x HDMI Type A (HDMI 2.0) Input 3 x BNC (3G-SDI) Input 1 x BNC (12G-SDI) Input |
| Embedded Audio | HDMI: 8-Channel SDI: 12-Channel |
| Audio | 2 x XLR Input 1 x 3.5 mm Headphone Output |
| Built-In Speaker | None |
| Power | 1 x 4-Pin XLR Input |
| Other I/O | 1 x LANC (2.5 mm) |
| Card Slot | None |
Format Support
| Video Format | SDI (8/10-Bit 4:2:2) DCI 4K: 60/50/30/25/24 UHD 4K: 60/50/30/25/24 1080p: 120/60/50/30/25/24 1080i: 60/50 720p: 60/50 HDMI (8/10-Bit 4:2:2) DCI 4K: 60/50/30/25/24 UHD 4K: 60/50/30/25/24 1080p: 120/60/50/30/25/24 1080i: 60/50 720p: 60/50 |
| Video Signal Conversion | HDMI to SDI DCI 4K: 60/50/30/25/24 UHD 4K: 60/50/30/25/24 1080p: 120/60/50/30/25/24 1080i: 60/50 720p: 60/50 SDI to HDMI DCI 4K: 60/50/30/25/24 UHD 4K: 60/50/30/25/24 1080p: 120/60/50/30/25/24 1080i: 60/50 720p: 60/50 |
Recording
| Pulldown Conversion | 2:2, 3:2 |
| Camera Trigger | SDI, HDMI |
| Encoding Formats | 4096 x 2160 ProRes Raw, Raw HQ, 422, LT, HQ at up to 60 fps DNxHR HQ, HQX, SQ, LB at up to 60 fps CinemaDNG at up to 30 fps 3840 x 2160 ProRes Raw, Raw HQ, 422, LT, HQ at up to 60 fps DNxHR HQ, HQX, SQ, LB at up to 60 fps CinemaDNG at up to 30 fps 2048 x 1080 ProRes Raw, Raw HQ, 422, LT, HQ at up to 240 fps DNxHR HQ, HQX, SQ, LB at up to 240 fps CinemaDNG at up to 120 fps 1920 x 1080 ProRes Raw, Raw HQ, 422, LT, HQ at up to 240 fps DNxHR HQ, HQX, SQ, LB at up to 240 fps 1280 x 720 ProRes Raw, Raw HQ, 422, LT, HQ at up to 60 fps DNxHR HQ, HQX, SQ, LB at up to 60 fps 5720 x 3016 ProRes Raw, Raw HQ at up to 30 fps |
| Recording Media | 1 x 2.5" SSD (SATA III) |
| Phantom Power | +48 V |
Power
| DC Input Power | 14.4 VDC |
| Battery Type | None |
| Power Consumption | 75 W |
Mounting
| Mounting | 10 x 1/4"-20 Female 5 x 3/8"-16 Female |
General
| Dimensions (W x H x D) | 19.8 x 12.2 x 2.5" / 50.4 x 31 x 6.3 cm 19.8 x 13 x 7.1" / 50.4 x 33 x 18 cm, Including Stand |
| Weight | 12.3 lb / 5.6 kg 13.7 lb / 6.2 kg, Including Stand |
Packaging Info
| Package Weight | 19.35 lb |
| Box Dimensions (LxWxH) | 23 x 15.1 x 7" |
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Vendor Information
- Store Name: PROFMEDIA
- Vendor: PROFMEDIA
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Address:
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Lens Filters
Tiffen Cordura Filter Pouch
- Holds 4 Filters Up to 77mm in Diameter
- Cordura Nylon and Mesh
Tiffen Filter Pouch
The Tiffen Cordura Four Filter Pouch is a padded Cordura nylon pouch made to hold four round filters up to 77mm in diameter. There are four mesh pockets to hold the filters.
- Folding Cordura nylon filter pouch with four pockets to hold the filters
- Compatible with round filters up to 77mm
SKU: CORD4 -
Light Modifiers
SWIT 40° Honeycomb Grid for PL-E90 & PL-E90D LED Light Panels
- For PL-E90 & PL-E90D LED Light Panels
- Narrows Beam Spread
- Controls Spill Light
- Concentrates Light
SWIT Honeycomb Grid
Narrow the beam spread and control spill light with the 40° Honeycomb Grid from SWIT. Featuring rugged metal construction, the grid attaches to the front of the PL-E90 & PL-E90D LED Light Panels and reduces the beam spread to 40°. This allows you to reduce the spread of light emanating from the LED fixtures and concentrates light on your subject or scene. Well-suited for portraits and interviews, the 40° grid is a handy light-shaping tool that provides you with a distinct and unique look when using an LED light panel.
SKU: LA-GE90 -
Lens Filters
Tiffen 6.6 x 6.6″ Ultra Pol Linear Polarizer Filter
- Minimize Reflections and Glare
- Reduces Haze and Blue Cast in Landscapes
- Enhances Color and Tonal Saturation
- ColorCore Water White Glass
Tiffen Ultra Polarizer Filter
The Tiffen 6.6 x 6.6″ Ultra Pol Linear Polarizer Filter helps to greatly reduce reflections and glare by filtering out light that has become polarized due to reflection from a non-metallic surface. This results in a noticeable increase in the saturation of skies and foliage, as well as clearer imagery when photographing in hazy conditions. A linear polarizer differs from a circular polarizer in that it does not supports use of a camera’s autofocus or auto exposure functions; it is best suited for use with manual cameras, such as view cameras, that are not dependent on internal mechanisms to determine focus or metering settings.
This filter is constructed from Water White glass and is made using ColorCore technology, a process that involves laminating the filter substrate between 2 pieces of optical glass and grinding flat to a tolerance of 1/10,000th of an inch. It has a filter factor of 4, requiring two additional stops of exposure for normal results, and measures 6.6 x 6.6″ / 167.6 x 167.6mm.
SKU: W6666UPOL -
Recording Monitors
Atomos Ninja V 5″ 4K HDMI Recording Monitor
1920 x 1080 Touchscreen Display
10-Bit Exterior Viewable Monitor
4K HDMI Input
1000 cd/m² BrightnessAtomos Ninja V
The Atomos Ninja V 5″ 4K HDMI Recording Monitor is a 5″ on-camera monitor/recorder that records and plays back DCI 4K, UHD 4K, and HD video from purpose-built mini-SSDs. It features a 10-bit FRC IPS screen with a brightness of 1000 cd/m², which makes it suitable for use in both exterior and interior conditions. The AtomHDR display technology allows you to accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The monitor supports popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The settings only affect viewing, with recorded video remaining unaltered.
Built to withstand the rigors of production, the Ninja V features an aluminum chassis and powers from a single L-series battery. Additional features include a variety of onscreen exposure analysis, framing, and focus assist tools, as well as anamorphic de-squeeze. An SSD Caddy, power supply, and dummy battery are included with the unit.
SKU: Atomnjav01
Product Enquiry
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Signal Converters
Atomos Connect Convert | HDMI to SDI
Convert HDMI to SD/HD/3G-SDI
Lockable HDMI Connector
Locking Power Input Connector
Atomos HDMI to SDI Converter
Built into a rugged metallic housing, the Atomos Connect Convert | HDMI to SDI is a useful tool for converting HDMI signals to SDI for use in broadcast studios or with professional video equipment. The lockable HDMI connector ensures that locked HDMI cables won’t accidentally get unplugged if there’s a snag.SKU: ATOMCCVHS1 -
Screen Protectors
Atomos Anti-Glare LCD Screen Protector for Flame 7″ Monitor
- For Sumo 19″ Monitor / Monitor Recorder
- Matte Finish
- Reduces Reflections
Atomos Flame 7″ Screen Protector
Get a better view of your Flame 7″ monitor or monitor-recorder with this Anti-Glare LCD Screen Protector from Atomos. Custom designed for your Sumo, this screen protector has a matte finish to diminish reflections while protecting the touch panel from scratches. The screen protector also acts as a de-polarizer to the Sumo’s screen, allowing you to view the monitor while wearing polarized sunglasses.
SKU: Atomlcdp01 -
Recording Monitors
Atomos Shogun Flame 7″ 4K HDMI/SDI Recording Monitor
- 1920 x 1200 Touchscreen Display
- 10-Bit FRC Monitor Processing
- 4K HDMI and 12G-SDI Inputs/Outputs
- 1500 cd/m² Brightness
Atomos Shogun Flame
The Atomos Shogun Flame is a 7″, 1920 x 1200 on-camera recording monitor that combines 4K recording with a 10-bit FRC panel that supports native display of HDR (log) footage as well as high brightness viewing of Rec. 709 footage. It utilizes 4K HDMI and 12G-SDI inputs to support clean output signals at resolutions up to UHD 4K (3840 x 2160), recording it to 2.5″ SSDs using 10-bit, 4:2:2 Apple ProRes and Avid DNxHR codecs. It even supports DCI 4K (4096 x 2160) raw video streams over SDI from select Sony and Canon cameras, encoding it as ProRes/DNxHR files.
The monitor features 10-bit FRC processing and AtomHDR display technology supporting a 10-stop brightness range, allowing you to more accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The monitor offers built-in pre-sets to accurately translate popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The settings only affect viewing, with recorded video remained unaltered.
SKU: ATOMSHGFL2 -
Capture Devices
Blackmagic Design UltraStudio Mini Monitor Playback Device
Playback Aspect of Capture/Playback Card
Outputs Footage from Computer to Monitor
Enables Color Grading on Top-Res Monitor
SDI, HDMI, Thunderbolt / Embedded AudioBlackmagic UltraStudio Mini Monitor
The Blackmagic Design UltraStudio Mini Monitor Playback Device is a very interesting and a highly useful device that Blackmagic has put out there. It is the “playback” aspect of any Blackmagic capture and playback device (and of any capture and playback device in general).Where a capture and playback device, such as the UltraStudio 3D or the Intensity Extreme, captures video from a camera, transfers it to a computer, and additionally lets you output the video to a display other than that of your computer’s, UltraStudio Mini Monitor only performs the last of these functions, also referred to as “playback.” The point of outputting to a separate display is to output to a top-resolution display, the kind that your computer’s display likely isn’t, the kind that’ll give you the best representation of your footage, the kind that’ll let you get as precise as possible in color-grading, perhaps the kind that has features like Waveform. Mini Monitor connects to your computer by Thunderbolt and outputs to a monitor by either HDMI or SDI. (You’ll need a Thunderbolt-equipped computer, such as any Mac.)
So, if you want to color grade on a top-resolution monitor, and you don’t need the other characteristics of a capture and playback device, then UltraStudio Mini Monitor is all you need and it comes at a small portion of the cost of an average capture and playback device (also known as an I/O device).
(If you’ll need the “capture” aspect instead, please check out the UltraStudio Mini Recorder).
SKU: BDLKULSDZMINMON
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